A Summer of Style

As a young student, Shea McAdoo’s classes at the Master Ballet Academy in Scottsdale, Arizona, were “strict, straightforward, very classical and purely Vaganova.” She appreciated the Russian rigor and precision, but when she was accepted to the School of American Ballet’s summer course at 13, she leapt at the chance to learn something new. TheMore »

Summer on Campus

Maura Bell was determined to have a ballet career. But as a high school senior, she didn’t feel ready to audition for companies yet. “I knew I had more maturing to do, both technically and as a young woman,” she remembers. Bell started researching collegiate options and discovered that Indiana University’s ballet department hosted aMore »

The Quest for Confidence

Today, she’s a confident Miami City Ballet soloist, but Emily Bromberg wasn’t always so self-assured. As a teenager, she withered under the weight of self-doubt. Even being cast as Kitri in her first professional production of Don Quixote, at Festival Ballet Providence, didn’t bolster her confidence—instead, she convinced herself she was too immature for theMore »

“Am I Ready to Leave Home?”

Harper Ortlieb knew something needed to change. Her three-hour commute to daily classes at the School of Oregon Ballet Theatre was unsustainable, and her obsession with ballet was intensifying. The family considered “away-from-home” training, but when Ortlieb, then 14, was accepted to the Bolshoi Ballet Academy’s year-round program in Moscow (after attending their summer intensiveMore »

My Nutcracker Breakout

Here it comes—the annual Nutcracker marathon, a grueling race for the corps de ballet. But every year, a few young dancers face a surprising, yet thrilling, new test. With so many performances, directors can create multiple casts, and take a chance on corps members with budding potential. “If I have an up-and-coming corps dancer who’sMore »

Degrees of Success

Today’s directors are increasingly looking for maturity, experience and versatility, and choreographers are drawn towards artistically intelligent dancers who can contribute to the creative process. Although ballet dancers have traditionally been wary of losing precious performing years by going to college before heading into the job market, it’s becoming routine to see company rosters populatedMore »

Company Life: Brain Drain

Rowe and Daniel Devison-Oliveira in "Giselle" (photo by Erik Tomasson, courtesy SFB)

San Francisco Ballet corps member Julia Rowe’s first run-through of Mark Morris’ intensely complicated ballet Maelstrom did not go the way she’d planned. “I went to do my first entrance and blanked—completely,” she says. “I’d already had a full day of learning other ballets and my brain was fried, but there was no time toMore »

Dancer Spotlight: Candace Bouchard

Artur Sultanov in "The Vertiginous Thrill of Exactitude" (photo by Blaine Covert, courtesy OBT)

Portland’s popular Wonder Ballroom, an indie music club, was packed wall to wall. A sea of hipster 20-somethings crowded in for the headline act: the locally famous band Horse Feathers and half a dozen Oregon Ballet Theatre dancers, united for the night under the name Uprising. High-energy choreography embodied the stirring lyrics, making this untraditionalMore »

Ballet’s Middle Child

SFB

Pennsylvania Ballet’s Evelyn Kocak, who spent seven years in the corps de ballets of several companies, was ecstatic when she was finally promoted to soloist. But once in the role, she found it difficult to understand how she fit into the company’s dynamic. She struggled between missing the camaraderie of the corps de ballet andMore »