Boys to Men

As a teenager, Adrian Durham studied at his local ballet school in Lake Charles, Louisiana. “I was one of three or four guys training there, and there were no male teachers,” says Durham. “Most of my partnering experience came from rehearsals for performances.” But after he began training with the male scholarship program at CentralMore »

Director’s Notes: The Real World

After scouting for a ballet company to feature in the melodramatic reality show “Breaking Pointe,” the producers made a U-turn back to Adam Sklute, the CEO and artistic director of Ballet West in Salt Lake City. “They said, In our screen tests, your company is the most photogenic. They have really interesting stories and we’dMore »

Family and Friends

City Ballet of San Diego is admired in Southern California for its diversity of dancers, a sizeable Balanchine repertoire, lively story ballets and regular accompaniment by full orchestra—all from a compact company. Steven Wistrich, artistic director of CBSD, recalls a 2007 performance, an “aha” moment, when he knew his company, then only 14 years old,More »

Building Brand “YOU”

New York City Ballet principal dancer Lauren Lovette, a prolific user of Instagram, discovered she had an eager following of aspiring ballerinas while guest teaching at Manhattan Youth Ballet and other summer intensives. “They would come up to me and say, ‘I follow you,’ ” she says. “I realized early on the kind of influence IMore »

Mastering the Audition Circuit

Ballet company auditions are hard to dodge for anyone aspiring to the profession. But they can serve as valuable learning tools by helping dancers determine which types of companies they prefer and ascertain the best ways to present themselves as artists. “How can I be seen in an audition?” “What should I say to aMore »

Italian Renaissance

Alessandra Ferri, the iconic dance actress, has emerged, at age 52, from a six-year retirement into an astonishing post-career. After successes with projects like Martha Clarke’s Chéri and the critically praised Woolf Works at The Royal Ballet, Ferri has been tapped by Hamburg Ballet’s John Neumeier as the muse for his Duse—Myth and Mysticism ofMore »

ABT’s Homegrown Ballerinas

Boylston, Seo and Lane in costume for ABT's new production of "The Sleeping Beauty" (photo by Nathan Sayers)

Ascending the ranks to “ballerina” status at American Ballet Theatre comprises the stuff of dreams for many dancers. Since its inception in 2003, ABT’s Jacqueline Kennedy Onassis School has been steadily molding students who graduate into the company. But within the last two decades, only several women have successfully journeyed from the ABT Studio CompanyMore »

When Franz Met Swanilda

In a rehearsal before their Lincoln Center performance of Coppélia last May, Sarah Lane and Daniil Simkin ran through some of the partnering in a studio several levels below the Metropolitan Opera stage where they would perform. In Frederic Franklin’s charming production for American Ballet Theatre, Swanilda, danced by Lane, and Franz, by Simkin, mustMore »

Behind Ballet’s Diversity Problem

Ballet Memphis dancers in Steven McMahon’s Being Here With Other People. Photo by Brandon Dill.   Ballet has a lily-white reputation. The great “ballet blanc” works glorify white swans, white shades, white wilis and white sylphs. Still, in 2014, balletgoers might expect some progress in racial diversity onstage, especially in the U.S., where populations ofMore »

Backstage with Polina Semionova

All photos by Matthew Murphy   One look at Polina Semionova, the Moscow-born American Ballet Theatre principal, tells you destiny chose her to be a ballerina. Her supermodel looks—with that beautifully elongated torso and even longer legs—have made her a natural dancer, as well as a featured model of UNIQLO’s AIRism clothing line. Pointe wentMore »