Making Dreams Come True

Imagine having your first show with Misty Copeland inches away from you onstage. Copeland and her prince, American Ballet Theatre corps member Calvin Royal III, swooped into Houston, Texas, in November to dance in Open World Dance Foundation’s new, full-length production of Cinderella. Choreographed by OWDF directors Ekaterina Shchelkanova and Anton Boytsov, the community projectMore »

Defying Gravity

Houston Ballet’s Derek Dunn knows how to make an entrance. While just an apprentice in 2013, Dunn catapulted through the Wortham Theater Center airspace as Garuda, god of dreams, in Stanton Welch’s La Bayadère. But it wasn’t just his powerful pyrotechnics that created buzz throughout the audience. He possessed unusual refinement for such a youngMore »

Ballerina and Health Coach: Carolyn’s Veggie Tacos

They say injury can be a great teacher: When Texas Ballet Theater dancer Carolyn Judson was sidelined with a back injury in 2007, her interest in health piqued. “I wondered how I could heal myself, so I began to research and read,” she says. “I was amazed at what I found. I turned to foodMore »

Dancer Spotlight: Carolyn Judson

They say injury can be a great teacher: When Texas Ballet Theater dancer Carolyn Judson was sidelined with a back injury in 2007, her interest in health piqued. “I wondered how I could heal myself, so I began to research and read,” she says. “I was amazed at what I found. I turned to foodMore »

Refining the Romantic at Houston Ballet

With his new production of Giselle, Houston Ballet artistic director Stanton Welch continues his charge through history, updating the classical warhorses for modern audiences. He has already completed versions of Paquita, La Bayadère and, most recently, 2015’s Romeo and Juliet, which he restructured to closely follow the play. Giselle, which premiered June 9, is deeplyMore »

Nao Kusuzaki

Houston Ballet soloist Nao Kusuzaki’s expansive port de bras spreads across the stage like a pair of wings, fitting for a story of a bird who transforms into a woman. Kusuzaki not only danced the lead role in Tsuru, a piece based on the Japanese folktale The Crane Wife, but also conceived and produced theMore »

Joining Forces

When the San Francisco Ballet School trainees flew to Texas for a week of classes and performances with Houston Ballet II last year, HBII dancer Mackenzie Richter felt the need to step up her game. “The SFB dancers were so talented,” says Richter. “I realized right away that I was representing my school, and thatMore »

Reverence: Boldly Beautiful

Witts in "Light/The Holocaust & Humanity Project" (photo by Tony Spielberg, courtesy Ballet Austin)

How do you divide your career between talent and pure determination?You need equal parts talent, determination and luck. Someone needs to see you, feel like you’re interesting enough to hire and have a spot available in their company. I don’t really look like a typical ballet dancer—and plenty of people told me that it wouldMore »

Hindsight is 20/20

Maria KowroskiPrincipal, New York City BalletI had to learn to stay focused on myself, and not let other people’s successes and opportunities interfere with my own life. Being too focused on other people can give your career a negative twist. Everyone has his or her own path. I really struggled with perfectionism, too. If IMore »

My Biggest Imperfection

Dancers are arguably harder on themselves than any other performing artists. And because their instruments are their bodies, that self-scrutiny can become ruthlessly personal. By definition, classical ballet requires adherence to a strict lexicon of rules dictating turnout, elongated lines, balance, ballon, coordination and musicality. Straying from that ideal can lead to a charge ofMore »