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Ballet San Jose is no more. In its place is the new Silicon Valley Ballet—a re-branding meant to show that the ballet company belongs to the whole region, not just the city of San Jose. The company was able to beat its budget shortfall with help from the larger community, so the new name is fitting.

 

 

Today, American Ballet Theatre announced that longtime company soloists Misty Copeland and Stella Abrera have been promoted to principal dancer. San Francisco Ballet star Maria Kochetkova and Royal Danish Ballet principal Alban Lendorf will also join ABT next season as principals (though they will remain principals with their respective companies), and Boston Ballet principal Jeffrey Cirio joins as a soloist. Corps de ballet members Skylar Brandt, Thomas Forster, Luciana Paris, Arron Scott and Cassandra Trenary have been promoted to soloist.

 

American Ballet Theatre soloist Misty Copeland is not the first African American woman to dance the iconic role of Odette/Odile. And some warn, rightly so, that the rich history of black ballerinas (Lauren Anderson, Debra Austin, Anne Benna Sims, Nora Kimball and Virginia Johnson, to name just a few) has gotten lost in all the publicity hype surrounding Copeland. Others complain that her PR campaign is an overly aggressive attempt to achieve principal status.

Mere weeks after her retirement from Pacific Northwest Ballet, former principal Carla Körbes has joined the staff of Benjamin Millepied’s L.A. Dance Project as associate artistic director. Cörbes, who is serving as artist in residence at the Vail International Dance Festival July 27–August 10, has been elusive about her future plans up until now.

Pumpkin carriages and fairy godmothers are noticeably missing in Rudolf Nureyev’s production of Cinderella for the Paris Opéra Ballet. Rather than the traditional fairytale kingdom, Nureyev’s version takes place in Old Hollywood. As Cinderella, étoile Sylvie Guillem twirls in satin rather than tulle. When POB toured to the United States with this production in 1987, a New York Times reviewer called Guillem “a choreographer’s dream” and said that in Cinderella, she is “astounding in every move.”

 

The word "summer" conjures images of long days, warm beaches and endless sunshine, but we're often busier than we remember during those much-anticipated months. Whether you're packing up to head to a new summer intensive or fitting in extra classes at your studio to prepare for next season, here are three quick fixes for when things feel chaotic, to help you tap into an easy, breezy summer mindset:

Albert Evans, a NYCB principal who was only the second African American principal dancer in the company's history, died on Monday night following a short illness. He was 46 years old.

Teen Vogue’s “Strictly Ballet” is back. The popular web series, which took us inside the lives of School of American Ballet students last year, heads to Florida and into the halls of the Miami City Ballet School. The show, which premiered May 20, follows seven MCBS dancers between ages 14 and 21, and from countries ranging from Brazil to Russia. Each faces the agonizing question of whether they’ll be successful in their chosen profession.

On a summer stage in 1845, nearly 170 years ago to the day, four superstar ballerinas put aside their bitter rivalries and graced a single stage. Lucile Grahn, Carlotta Grisi, Fanny Cerrito and Marie Taglioni—defining figures in ballet’s history—performed in Jules Perrot’s Pas de Quatre. Such collaboration between divas of the day was unprecedented, and Perrot choreographed the piece to showcase each prima’s particular talents.