Contemporary choreographer and native Belgian Sidi Larbi Cherkaoui has been appointed the artistic director of the Royal Ballet of Flanders. The company has functioned without an artistic director since August, 2014, when former director Assis Carreiro was fired.
When you're anticipating a high-pressure audition, it's no wonder if your stress levels are heightened. And a little performance anxiety isn't necessarily a bad thing. But a recent study published in Psychoneuroendocrinology found that high stress levels could affect your confidence and decision-making skills in competitive situations.
It’s no secret that as mainstream newspapers have folded or cut costs in recent years, dance criticism has taken a major hit. And while some dancers may have adverse feelings towards critics (especially if they’ve been on the receiving end of a bad review), criticism is nonetheless a vital facet of arts coverage, one that sparks debate and conversation about a performance and draws interest to the company in question.
Don Quixote’s flirtatious and spunky Kitri is an exciting character for ballerinas to portray—any role is fun if it includes a prop fan! But it’s also an important stepping-stone in a dancer’s professional career, alongside Juliet, Odette/Odile and Aurora. In this 1998 recording, Paloma Herrera masters the role, raising the standard for future Kitris in only her third year as principal dancer for American Ballet Theatre. As she dances this variation, Herrera consumes the stage, abandoning all fear.
Israeli-born choreographer Hofesh Shechter is best known for his grounded, highly physical contemporary work. In March, he will take over the Royal Opera House stage in London, with a world premiere for The Royal Ballet.
This June, The Royal Ballet is making a long-awaited tour to Washington, DC, Chicago and New York City. But on February 17, ballet lovers across the U.S. can see the company in movie theaters for a one-night-only screening of Christopher Wheeldon’s A Winter’s Tale, which premiered last year.