In 2004, as dancers waited in the hallway for their usual morning class at Steps on Broadway in New York City, they could catch a glimpse of teacher Edward Ellison privately coaching individuals in a small studio near the reception desk.
American Ballet Theatre, in the midst of their 75th Anniversary celebration, opened their spring season at the Metropolitan Opera House this week. But fans unable to make it to New York City need not worry—on May 15, “American Ballet Theatre: A History,” a documentary nine years in the making by Emmy-award winning filmmaker Ric Burns, premieres on PBS stations nationwide.
For an all-too-brief period of one month, both American Ballet Theatre and New York City Ballet will perform at the Lincoln Center. Though the repertoire of each company differs greatly, their theaters are steps away from each other, and it's wonderful to walk by and see people streaming into the respective buildings for a night at the ballet.
Whether it's spring performances, final exams or preparations for summer intensives, this can be a stressful time of year.While these bigger sources of stress are more obvious,some others aren't as easy to spot, and they can take a toll without you realizing it. Here are three less noticeable ones to keep in mind:
Many of you may remember last summer’s “Strictly Ballet,”Teen Vogue’s reality web series that took viewers inside the high-pressure lives of six students at the School of American Ballet. And you may especially remember those nerve-racking class scenes with Peter Martins, ballet master in chief of New York City Ballet, as he assesses SAB’s highest level students for possible company apprenticeships.
It’s no surprise that inromantic ballets, love presides over each characters’ motivation. But not every story concludes with a joyous marriage. Marius Petipa’s La Bayadère, set in India, reveals the possible complexities once jealousy and betrayal destroy true love. This clip features Gamzatti’s variation from Act III, right before the gods take vengeance on those who have selfishly obtained romance. Former Royal Ballet principal dancer Darcey Bussell captures Gamzatti's character with calm sincerity, foreshadowing her solemn death.