Blogs

At the height of the AIDS epidemic, Pennsylvania Ballet was hit hard. A number of company members suffered or died from the virus. Compelled to do something, their colleagues rallied. They produced a special performance called Shut Up & Dance to benefit MANNA, a local organization that delivers nourishing meals and counsel to those infected.

Wonder what life is like these days for David Hallberg? The Chicago Sun Times' Hedy Weiss checks in with the Bolshoi and ABT star one year after he became the first American to join Moscow's beloved ballet company. He perform Giselle on Saturday night with ABT at Chicago's Auditorium Theatre.

On March 30, thousands of people around the world will stop what they're doing and dance. It will be noon in San Fancisco, 3 pm in New York, 4 pm in Buenos Aires, 9 pm in Cairo, 10 pm in Minsk—and everyone from cab drivers to businessmen to dogwalkers will simultaneously get their groove on. The event, called "dance anywhere" was started by San Francisco–based choreographer Beth Fein eight years ago. In addition to off-the-cuff improvs by people on the street, several dancers also take part with choreographed public performances—so keep your eyes open.

 

Want to get your Vaganova on this summer?

It's not every day that you get to see a world-class ballerina rehearse. It's pretty much never that you get to see that world-class ballerina rehearse Martha Graham's work. So to say that I was thrilled to be able to watch Diana Vishneva prepare Graham's Errand into the Maze yesterday is a massive understatement.

Most of the ballet world would agree that there’s a glut of fresh choreographic talent. That’s not to say there are no interesting artists making work; there’s just not enough of them. (Wheeldon and Ratmansky can only be stretched so thin.)

Collaborating with a composer is one of the great joys of choreographing. But it's a luxury that's usually reserved only for the most successful (or well-funded).

 

Tomorrow night, Wendy Whelan will make her debut as a guest artist with the Stephen Petronio Company at New York’s Joyce Theater, dancing the choreographer’s Ethersketch 1. Pointe talked to Petronio about working with the celebrated New York City Ballet principal on the solo.

 

It sometimes seems like modern dancers have it easy. There are dozens of great college dance programs that can lead to successful contemporary careers. But for aspiring bunheads, the options are narrower, and the competition is tough. Indiana University at Bloomington's ballet department only takes about 10-20 dancers each year.

 

For a week (or weeks) now you’ve been waiting for that email. You check your inbox every hour and constantly hit refresh—did I get in or not? Summer intensive audition season is coming to an end, and the results are finally being released.