The first season of "Bunheads" closed its curtains this week with the finale episode, optimistically titled "Next." A rambling bildungsroman, the show is essentially a choreography of stories about dancers at all ages following their dreams and facing reality. Michelle wakes up with a gorgeous Godot and courageously sets out for Los Angeles to audition for a part in a musical. Even though the audition is a sham, Michelle’s performances earn her the admiration of her bunheads.
No dancer should ever leave home without a good dose of inspiration. We've found one that's kind of awesome: The free New York City Ballet iPhone app. It’s constantly updated with fun new pictures of the dancers—both on stage and off—and has a Twitter section that shows a feed of tweets from company members. Best of all, it contains links to top NYCB video clips with dancers explaining their approaches to roles and dishing about what it’s actually like behind the scenes. Find it in the App Store.
Tiler Peck and Robert Farichild are making a special guest appearance in the New York Philharmonic's presentation of Carousel this weekend. To build anticipation, the company just posted some footage of the dancers rehearsing in the studio with choreographer Warren Carlyle. It's amazing to watch how quickly and fully Peck transforms into her character. Check it out here.
The night before a big audition comes with a terrible catch-22: You know you need to get a good night's sleep to be on top of your game in the morning, but with all of the anxiety and nerves coursing through your body, it becomes nearly impossible to nod off.
What can you do? Here are 5 surefire steps for getting on the express train to Dreamland.
Few things in ballet are more satisfying than the feeling of soaring around effortlessly in a perfect pirouette. Los Angeles Ballet wants to teach you how to nail that smooth sailing sensation every time. This Sunday, February 24, LAB’s monthly community day will include a free workshop on turning, taught by master teacher Ikolo Griffin (a former dancer with San Francisco Ballet, The Joffrey Ballet and Dance Theatre of Harlem).
This week’s episode of Bunheads is all about men and women, sex, love and marriage. The only dance scene features modern choreography in miners' hats, dancing in the dark with headlights. Even though the paucity of dance is disappointing, the episode makes up for it with a choreography of flirtation and independence set in the dance studio when it becomes the evacuation center for Paradise during a fire. After finding a condom under the girls’ lockers, Michelle worries that her bunheads are having sex, and makes the boys move their cots away from the girls.
Perfect your fondu: Watch a special tutorial from School of American Ballet faculty member Suki Schorer at dancemedia.com. Our sister publication Dance Teacher has a fantastic how-to clip with the iconic Balanchine teacher. Hear her tips on tempo, line and placement—and then get to the barre to put them in action!
When Diablo Ballet of California announced its new “Web Ballet” in January, nobody knew quite what to think. The company asked its fans to help choreograph the ballet, requesting Tweeted suggestions for the emotion of the dancers, the mood of the piece and even specific steps. Voters also chose their favorite of three music options.
Although the New York Philharmonic's upcoming production of Carousel focuses on Rodgers & Hammerstein's iconic music, the show will also feature one exceptional moment of dance: It's just been announced that New York City Ballet principals Tiler Peck and Robert Fairchild will guest star in a pas de deux in Act II. Peck will dance the role of Louise and Fairchild will portray the Carnival Boy, dancing choreography by Warren Carlyle. The show, performed in New York February 27–March 2, will be telecast nationally on PBS through "Live From Lincoln Center" on April 26.