Can any style of dance be used to portray a narrative? I started to think about whether certain types of movement tell stories better than others after seeing Edward Clug's Radio And Juliet at NYU's Skirball Center this weekend. I'd been super excited for it. The hour-long work is a contemporary ballet version of Romeo and Juliet set to the music of Radiohead. Sounds awesome, right?
Like countless other companies, Festival Ballet Providence has hit a rough patch during this recession. But after 33 years as Rhode Island's only professional ballet company, they're not going to go down without a fight. Artistic director Mihailo Djuric gathered dancers from all over to perform in a benefit gala for FBP tonight.
As a teenager, I'd spend hours at a time trying on pointe shoes at San Francisco Dancewear. The search for the perfect fit felt as elusive as Ponce de León's Fountain of Youth. I really had no concrete idea what I was looking for, other than something that made my feet look good and didn't hurt—too much.
It's been over 60 years since the last time The Joffrey commissioned a new full-length ballet. So there's been a bunch of buzz surrounding the company's world premiere of Yuri Possokhov's Don Quixote, which opens tomorrow night at Roosevelt University. To drum up even more excitement, the Joffrey Academy of Dance is presenting a Don Q–themed master class next week. Dancer Ericka Mac will give a brief history of the ballet's story and choreography, then launch into a full barre warm up set to Don Q music and teach students Kitri's sassy variation.
The School at Steps in New York City is hosting a pointe shoe workshop at their studios next Saturday. This year's event is geared toward dancers who are just starting out on pointe, but all levels are invited to attend. Hear from podiatrists, expert pointe shoe fitters, master teachers and professional dancers. After the discussion, representatives from Capezio, Freed, Grishko, Gaynor Minden and Sansha will be on hand to speak with dancers about their shoes and let them try on a variety of styles.
Ever wonder what you'd do if you couldn't dance? It's a depressing thought, but one all dancers have to face.
Career Transition for Dancers will present a free career development workshop in Chicago this Sunday at Lou Conte Dance Studio. All dancers are invited to attend for free—whether you're just embarking on your career or already starting down a new path. You can stay the whole day from 12 to 6 or attend individual sessions as you like.
The New York Times just reported that David Hallberg, currently a principal with American Ballet Theatre, just signed a contract with the Bolshoi Ballet as a principal dancer for the 2011-2012 season. (The story even made the newspaper's homepage!) Hallberg will be the first American ever to join the Russian company. Read the full story here.
For dancers trained in ballet, improvisation can feel like a completely foreign concept. Yet so many contemporary choreographers these days ask dancers to improv as a tool for creating movement. More and more companies are even including improv as part of their auditioning process.