On March 30, thousands of people around the world will stop what they're doing and dance. It will be noon in San Fancisco, 3 pm in New York, 4 pm in Buenos Aires, 9 pm in Cairo, 10 pm in Minsk—and everyone from cab drivers to businessmen to dogwalkers will simultaneously get their groove on. The event, called "dance anywhere" was started by San Francisco–based choreographer Beth Fein eight years ago. In addition to off-the-cuff improvs by people on the street, several dancers also take part with choreographed public performances—so keep your eyes open.
It's not every day that you get to see a world-class ballerina rehearse. It's pretty much never that you get to see that world-class ballerina rehearse Martha Graham's work. So to say that I was thrilled to be able to watch Diana Vishneva prepare Graham's Errand into the Maze yesterday is a massive understatement.
Most of the ballet world would agree that there’s a glut of fresh choreographic talent. That’s not to say there are no interesting artists making work; there’s just not enough of them. (Wheeldon and Ratmansky can only be stretched so thin.)
Tomorrow night, Wendy Whelan will make her debut as a guest artist with the Stephen Petronio Company at New York’s Joyce Theater, dancing the choreographer’s Ethersketch 1. Pointe talked to Petronio about working with the celebrated New York City Ballet principal on the solo.
It sometimes seems like modern dancers have it easy. There are dozens of great college dance programs that can lead to successful contemporary careers. But for aspiring bunheads, the options are narrower, and the competition is tough. Indiana University at Bloomington's ballet department only takes about 10-20 dancers each year.
For a week (or weeks) now you’ve been waiting for that email. You check your inbox every hour and constantly hit refresh—did I get in or not? Summer intensive audition season is coming to an end, and the results are finally being released.
If you’ve ever been curious about ballet competitions, you need to check out First Position. The new documentary follows a handful of super-talented ballet students as they train for and compete in Youth America Grand Prix. All of them make it to the finals in New York, and (spoiler alert) most place in the top 12.
Istanbul may not be the first place you’d look for great ballet. But the Turkish city is an emerging arts capital, and one reason is the new International Istanbul Ballet Competition. The event brought in some heavyweight jury members in its first two editions, including Julio Bocca, Vladimir Malakhov, Irek Mukhamedov, Septime Webre and Yury Grigorovich. And this year, its offering an added bonus: Bolshoi ballet master Mikhail Lavrovsky will teach daily master classes open to any and all ballet students and professionals.