Mere weeks after her retirement from Pacific Northwest Ballet, former principal Carla Körbes has joined the staff of Benjamin Millepied’s L.A. Dance Project as associate artistic director. Cörbes, who is serving as artist in residence at the Vail International Dance Festival July 27–August 10, has been elusive about her future plans up until now.
Today, two of American Ballet Theatre’s longtime stars, Paloma Herrera and Xiomara Reyes, retire from the company in—what is sure to be emotionally charged—back-to-back performances of Giselle. Herrera, who has danced with ABT for 24 years, will say good-bye during this afternoon’s matinee, while Reyes will give her final performance tonight. The departure of both dancers marks an end of an era, and a sign of change for ABT’s future. In two seperate interviews, both dancers offered reflections on their careers, retirements and future plans.
In 2004, as dancers waited in the hallway for their usual morning class at Steps on Broadway in New York City, they could catch a glimpse of teacher Edward Ellison privately coaching individuals in a small studio near the reception desk.
American Ballet Theatre, in the midst of their 75th Anniversary celebration, opened their spring season at the Metropolitan Opera House this week. But fans unable to make it to New York City need not worry—on May 15, “American Ballet Theatre: A History,” a documentary nine years in the making by Emmy-award winning filmmaker Ric Burns, premieres on PBS stations nationwide.
Many of you may remember last summer’s “Strictly Ballet,”Teen Vogue’s reality web series that took viewers inside the high-pressure lives of six students at the School of American Ballet. And you may especially remember those nerve-racking class scenes with Peter Martins, ballet master in chief of New York City Ballet, as he assesses SAB’s highest level students for possible company apprenticeships.
If you are eagerly awaiting the November 8 premiere of Starz’s gritty ballet drama “Flesh and Bone,” you’re in luck. The network released its first trailer of the eight-hour limited series yesterday—and it looks pretty tantalizing.
The Boston dance community is coming together on April 25 to remember the life and legacy of Samuel Kurkjian at the Walnut Hill School of the Arts’ Keiter Center in Natick, MA. Kurkjian, who died in 2013, joined the Boston Ballet in 1968 as a principal dancer and ballet master, eventually becoming the company’s first resident choreographer. He later joined the staff of Walnut Hill, where he was a beloved member of the faculty for 35 years.
Whoever thinks dancing is a selfish profession hasn't met New York City Ballet principal Daniel Ulbricht. Once again, he’s joining forces with the American Cancer Society for his annual Dance Against Cancer benefit on April 27 in New York City.
For the last week, New York City has been teeming with bunheads, here to compete for over $300,000 in scholarships at Youth America Grand Prix. Out of 7,000 dancers who competed in regional semi-finals, 350 were selected as NYC finalists, with over 70 moving forward to Wednesday night’s final round. The winners were announced publicly yesterday evening and given a chance to perform one last time during YAGP’s glittering “Stars of Today Meet the Stars of Tomorrow” gala at Lincoln Center—and they did not disappoint.