Here at Pointe, we're lucky to work with several of the ballet world's best photographers. While some of them came to dance photography through roundabout routes, others were dancers first. And former dancers have an insider's understanding of how to capture that perfect ballet moment in a photograph.
American Ballet Theatre's Jacqueline Kennedy Onassis School has come a long way in the short decade since it was founded. So far, in fact, that it's part of a select group of schools invited to perform at the Bolshoi Theatre in Moscow as part of the Bolshoi Ballet Academy's celebration of its 240th anniversary.
It seems like the whole world is fascinated by Misty Copeland. The American Ballet Theatre soloist is constantly featured in mainstream publications, television ads and fashion campaigns (and, of course, in Pointe!).
Former New York City Ballet principal Nilas Martins and former NYCB principal and American Ballet Theatre soloist Monique Meunier recently began their tenure as co-directors of the Academy of Nevada Ballet Theatre (ANBT). Pointe asked the husband-and-wife team about their plans for the school, and their advice for pre-professional students.
Sometimes even dancers themselves don't realize how hard they work. But this fascinating time-lapse video, capturing a day of class and rehearsals in Boston Ballet's Studio 7, makes it clear just how much goes into the ballet dancer's average workday.
To a dancer, watching the film (which was created by David Gifford and Adrian Dalca of MIT with high-tech GoPro cameras) feels strangely dream-like. We've known days like this, and yet seeing one in a pseudo-abstract context is like having an out-of-body experience.
Congratulations to choreographers Alexei Ratmansky and Kyle Abraham! Both have been named 2013 MacArthur Fellows, an honor that earns them a $625,000 "genius" grant—and entry into a very exclusive club, which includes the likes of Merce Cunningham, Paul Taylor, Trisha Brown, Mark Morris, Twyla Tharp, Bill T. Jones and Arthur Mitchell.