Contemporary choreographer and native Belgian Sidi Larbi Cherkaoui has been appointed the artistic director of the Royal Ballet of Flanders. The company has functioned without an artistic director since August, 2014, when former director Assis Carreiro was fired.
Don Quixote’s flirtatious and spunky Kitri is an exciting character for ballerinas to portray—any role is fun if it includes a prop fan! But it’s also an important stepping-stone in a dancer’s professional career, alongside Juliet, Odette/Odile and Aurora. In this 1998 recording, Paloma Herrera masters the role, raising the standard for future Kitris in only her third year as principal dancer for American Ballet Theatre. As she dances this variation, Herrera consumes the stage, abandoning all fear.
Israeli-born choreographer Hofesh Shechter is best known for his grounded, highly physical contemporary work. In March, he will take over the Royal Opera House stage in London, with a world premiere for The Royal Ballet.
It seems the Balanchine–Bournonville connection is alive and strong in the U.S. Not only did the Royal Danish Ballet recently complete a successful tour to NYC, and not only will New York City Ballet—helmed by Dane Peter Martins—present Martins' La Sylphide during its Spring Season, but on February 12 Ballet Arizona will be the first U.S. company to dance Bournonville's Napoli in its entirety.
Benjamin Millepied announced his first full season of Paris Opéra Ballet programming on Wednesday with a monumental coup: William Forsythe will join the company as associate choreographer. Lately, Forsythe has been largely absent from the classical world—he has directed the Forsythe Company since its foundation in 2005, and has dedicated his choreography to more experiemental contemporary dance. He stepped down from the company's directorship in 2013, and in May 2014, University of Southern California announced that he would join the faculty at the new Glorya Kaufman School of Dance.
It seems the most natural place for a dancer to perform is within a dream. Once the stage transports you deep into the world of the ballet, the audience experiences a surreal vision. Many ballets incorporate a dream scene, but Petipa’s Raymonda comes from the dreams of any girl who has fallen in love.The entire world slows as Raymonda floats through a heavy sleep, moving as if she imagines each step with closed eyes.
You've probably heard about the documentary Ballet 422, which is in theaters February 6. The film is directed by Jody Lee Lipes, and chronicles the making of New York City Ballet's 422nd world premiere: Justin Peck's Paz de la Jolla.
Not only is Julia Erickson a principal dancer at Pittsburgh Ballet Theatre, but she's also the co-founder of Barre: A Real Food Bar--a company that makes healthy energy bars. It's safe to say she knows a thing or two about finding balance in a busy life.
From February 10–14, former American Ballet Theatre principal—and current BalletNext artistic director and founder—Michele Wiles will share the stage with Jay Donn, a street dance star specializing in the style of Flex and its sub-style, Punchlines. Their collaboration has resulted in Something Sampled, and is one of three pieces to be performed at BalletNext's spring season, Baroque'd, at New York Live Arts.