Mastering the Audition Circuit

Ballet company auditions are hard to dodge for anyone aspiring to the profession. But they can serve as valuable learning tools by helping dancers determine which types of companies they prefer and ascertain the best ways to present themselves as artists. “How can I be seen in an audition?” “What should I say to aMore »

Inside the Life of Corps Dancer Caroline Bird

Ever wonder what life is like as a corps de ballet dancer in a major company? While principals and soloists get all of the glory, dancing in the corps has a special beauty all its own—and takes just as much work. Isabel Garcìa, a dancer with the National Dance Company of Mexico, spoke with CarolineMore »

Decisions, Decisions

Getting ready to audition for intensives? Click here to find the best summer study options for you! By the time Washington Ballet dancer Andile Ndlovu was finishing his training in South Africa, he faced a risky decision. After attending a ballet competition in 2008, he received summer-intensive scholarship offers from The Washington School of BalletMore »

From Competition to Corps de Ballet

At age 15, competition veteran Hannah Bettes traveled to the Prix de Lausanne, her sights set on getting into The Royal Ballet School. The teen left the competition with a scholarship—and the Audience Choice Award, to boot. That same year, Bettes won the gold medal in the senior division at Youth America Grand Prix andMore »

Director’s Notes: Kicking Their Heels in Cow Town

Mills coaching Miki Kawamura and Alvin Tovstogray (photo by Amy Haley, courtesy OKCB)

Some might call it bravado. Others would say fightin’ spirit. When Robert Mills grabbed the reins of a struggling Ballet Oklahoma in 2008, the company was at a crossroads: To sink under a $400,000 deficit or to merge with Tulsa Ballet. “I wanted to show them what ballet could really do for this community,” saysMore »

Company Life: Brain Drain

Rowe and Daniel Devison-Oliveira in "Giselle" (photo by Erik Tomasson, courtesy SFB)

San Francisco Ballet corps member Julia Rowe’s first run-through of Mark Morris’ intensely complicated ballet Maelstrom did not go the way she’d planned. “I went to do my first entrance and blanked—completely,” she says. “I’d already had a full day of learning other ballets and my brain was fried, but there was no time toMore »

Director’s Notes: Southern Charm

Bonnefoux rehearsing dancers Melissa Anduiza and David Morse (photo by Jeff Cravotta, courtesy Charlotte Ballet)

Take a look at Charlotte Ballet’s repertoire, and it’s clear it’s a company fueled by innovative contemporary works yet rich in ballet pedigree. Led by former New York City Ballet stars Jean-Pierre Bonnefoux and Patricia McBride, the company has challenged its home audience with Dwight Rhoden’s civil-rights themed Sit In Stand Out and delighted attendeesMore »

Dancer Spotlight: Courtney Richardson

At Dresden’s Semperoper, one of Europe’s finest opera houses, the curtain comes down on the premiere of David Dawson’s Tristan + Isolde. When Courtney Richardson, as Isolde, steps forward to take her bow, the applause rises to a crescendo. The ballet had found its heart in her first solo, expressed in powerful, neoclassical lines suffusedMore »

Director’s Notes: Spain’s Son Returns

Martinez at work in the studio (photo by Jaier Cortes, courtesy CND)

As the Compañía Nacional de Danza moved nimbly between Alejandro Cerrudo’s sleek style and Mats Ek’s earthiness in Paris last winter, it was hard to believe that just five years ago, Spain’s national dance company was primarily a single-choreographer troupe under longtime director Nacho Duato. Since José Martínez, the only Spanish male étoile in theMore »

Dancer Spotlight: Angelina Vorontsova

It may be a dancer’s dream to hit the headlines, but Angelina Vorontsova would rather forget the moment she did. Soon after the acid attack on Bolshoi Ballet director Sergei Filin, in January 2013, the young dancer, then just 21, found herself caught up in the storm. As suspect Pavel Dmitrichenko’s then girlfriend and aMore »