All too often, those final rehearsals before a performance make it seem like everything's destined to go wrong on stage. Last night's episode of "Breaking Pointe" showed the Ballet West dancers succombing to that pre-show stress: They struggled with props, they wrestled with tempos, they let their anxiety throw them off.
We've all been there. Although there's obviously no such thing as "perfect" in ballet, it's still something every dancer strives for. And the nerves that pressure creates are ludicrous.
Most of this week’s Bunheads episode was spent following widow Michelle around town and wondering whether or not Fanny was serious about those Dalai Lama cocktail napkins for Hubbell’s memorial. But the show still managed to squeeze in some favorite ballet themes before the proverbial curtain came down.
Ballet fans have been looking forward to ABC Family's "Bunheads" for weeks now, since it advertises—from the title down—that it's all about ballet. But the first episode, at least, had a lot of plot exposition to get out of the way before digging into anything truly "bunhead"-y. A very quick summary: Onetime ballet dancer but current Las Vegas showgirl Michelle (Broadway star Sutton Foster, who is fantastic) is tired of performing in a feathered bikini but unable to get a "real" Broadway job.
The countdown to summer intensives has begun! And it’s time for a new set of nerves (and excitement) to kick in. How can you prepare your body and mind to get the most out of your summer training? Here are some tips from Shelly Power, associate director of Houston Ballet’s Ben Stevenson Academy, and Sabrina Lenzi, ballet mistress of Houston Ballet II.
Producing a show in New York is many choreographers' Mount Everest: the ultimate challenge, the ultimate dream. The Capezio A.C.E. Award, presented by DanceMedia, will give one talented dancemaker $15,000 to use toward their own NYC performance. Two runners up will recieve $5,000 and $3,000, respectively. Previous winners include Travis Wall and Peter Chu.