Miami City Ballet will premiere Viscera, choreographed by Royal Ballet dancer Liam Scarlett, tonight. It's Scarlett's first work for an American company. MCB principal Patricia Delgado has been documenting the rehearsal process for Pointe. (Read her first entry here.)
Miami City Ballet will premiere Viscera, choreographed by Royal Ballet dancer Liam Scarlett, this Friday. It's Scarlett's first work for an American ballet company. MCB principal Patricia Delgado is documenting the experience for Pointe.
Recently, I was lucky enough to get some gorgeous photographs of dancers from San Francisco Ballet and New York City Ballet to post in pointemagazine.com's web exclusives section. Most of the images we run in Pointe feature professionals.
For most dancers, when it comes to cooking, they want three things: something easy, something healthy, something tasty. Miami City Ballet principal Jennifer Kronenberg has just the thing: asian garlic salmon. It's her go-to recipe for weekday dinners. “My husband, MCB principal Carlos Guerra, and I love this recipe—it's super tasty,” says Kronenberg. “And it’s perfect for preparing after a long rehearsal day.”
Although performance weeks are the highlight of the season, they can be tricky to get through. Opening night is filled with excitement and adrenaline. But as you repeat the performance night after night, it becomes ever more difficult to find that same energy. One secret weapon? Post-show protein. It helps your muscles recover and loads you up with stamina for the next day.
I have a serious weakness for great swan arms. When Odette pulls off smooth ripples outwards from the center of her spine through to her tips of the fingers, it gives me chills. Because I know how crazy hard they are to do well! Swan arms can take hours of practice and many varying ways of thinking about the movement. I've even watched top ballerinas continue working on them over and over in rehearsal—even after already having performed the ballet dozens of times.
Will Morphoses succeed without Christopher Wheeldon? It was the question of the evening last night at The Joyce Theater during the company's first performance since their celebrated founding artistic director left.
Can any style of dance be used to portray a narrative? I started to think about whether certain types of movement tell stories better than others after seeing Edward Clug's Radio And Juliet at NYU's Skirball Center this weekend. I'd been super excited for it. The hour-long work is a contemporary ballet version of Romeo and Juliet set to the music of Radiohead. Sounds awesome, right?