This Week in Dance

The following is a guest blog by San Francisco Ballet principal Yuan Yuan Tan, currently on tour with the company in Copenhagen, Denmark. Stay tuned for more posts from Yuan Yuan!

The following is a guest blog by San Francisco Ballet principal Yuan Yuan Tan, currently on tour with the company in Copenhagen, Denmark. Stay tuned for more posts from Yuan Yuan!

Today is Friday [August 21] and I'm in Copenhagen—jet-lagged, big time!

The Black Swan trailer is out! Even though there are some beautiful dancing shots, this obviously is not your typical ballet movie. Take a peek at the trailer to see for yourself.

 

And stay tuned for more about the movie in Pointe's December/January issue—we went behind the scenes during a day of filming to get the inside scoop from the dancers, cast and crew. Blood, groping and the funky chicken were only a few of the highlights from the scene on set. 

Whenever I take class, I sometimes feel like there are a million and one things going through my head: 

 

"Turn out your feet (but from the hips)"

 

"Straighten your knees"

 

"Softer port de bras"

 

"Relax your shoulders"

 

"Ribs down"

 

"Wait, not too much—stay lifted"

 

"Play with the music a little more"

 

"Turn out more"

 

"Pointe your feet"

 

"No, seriously, come on, work that turnout"

 

 

Ballet class is a place where technique is strengthened and lessons are learned about one's self as a dancer. We repeat common exercises to tone our bodies, gain further mastery of new steps and develop a keen sense of artistry. We fall, we learn intricate combinations, we push ourselves to be better than the day before. 

 

Virginia Johnson, Pointe's founding editor in chief, will hold a free master class at Dance Theatre of Harlem studios on Sunday from 11 am to 1 pm!

 

Now artistic director of Dance Theatre of Harlem, Johnson invites advanced students to get a taste of DTH and learn about their Professional Training Program, a training intensive designed to give advanced students the career skills and high level dance competence required by the field.

 

If you're interested in attending, contact Christopher McDaniel at www.facebook.com/chrismcdaniel08

When I saw Paloma Herrera of American Ballet Theatre step onto the stage of So You Think You Can Dance last fall, I was speechless. One of my favorite ballerinas posed confidently to begin Kitri’s variation, on what seemed to be an awful floor for pointe work. Nevertheless, Herrera delivered under bright spotlights, in front of TV crews, and for millions of SYTYCD fans watching at home. If she was out of her element, it was impossible to for anyone to tell. Herrera could probably perform with spunk, strength and spot-on turns under any given situation.

I’m now in Las Palmas and writing to you from the pool at the hotel. We had our first free day today!

This past week we’ve been in San Sebastían and Santander. We were in both cities for only two days and they went by so quickly! It was chilly in both but there were incredible beaches. I danced in all of the performances so I was very busy.