Throughout her 18 years dancing with Boston Ballet, Larissa Ponomarenko performed classical and contemporary roles with ease and elegance. But offstage, she was just as entrancing. During my years as a student at Boston Ballet School, I remember my classmates and myself peeking into her rehearsals, gawking at the effortlessness of each step. We knew it came from her Vaganova training, but still couldn’t believe her precision. Though she is often overlooked, Ponomarenko is a cherished icon for many.
Larissa Ponomarenko, long a revered principal at Boston Ballet, has been with the company through multiple versions of Cinderella—most recently James Kudelka's in 2005 and 2008. Now, as ballet master, she's guiding dancers through Frederick Ashton's classic rendition, which BB performs through this weekend. Pointe talked to Ponomarenko about the similarities and differences between the fairytale worlds of Kudelka and Ashton, and about dancing and coaching the ballet's title role.