Boston Ballet is about to take off for England for a six-performance run at the London Coliseum next week. To show off the company's range, the dancers will be performing Nijinsky’s Afternoon of a Faun, Balanchine’s Serenade and Symphony in Three Movements, resident choreographer Jorma Elo’s Plan to B, Forsythe’s The Second Detail, Wheeldon’s Polyphonia and Kylián’s Bella Figura. How does a dancer prepare for such an intense program overseas?
Our final day in Israel was magical. The first stop was Mt. Olive for an amazing overlook of the Old City of Jerusalem. Everything was layered, both in the sense of time, with each century erecting their monuments upon the previous, and in the sense of religion, with the most holy of sites for so many all converging on each other in this small area.
On Thursday, we performed in Rishon Lezion just outside of Tel Aviv. The theater was a large marble complex with extensive backstage facilities including a separate studio to take class and spacious dressing rooms for everyone. We warmed up, did a quick rehearsal and then had a few hours for dinner before the show. The performance went really well, even though the audience was slightly more subdued compared to the raucous atmosphere of the Karmiel Dance Festival.
Day three in Israel was a busy one! We had an early bus call to Karmiel to explore and get something to eat before class. The area was like an upscale suburb in the States with tree-lined streets of shops and little gardens. Most of the signage was in Hebrew so it was hard to tell what each store held until you peered inside. My favorites were the small, locally-owned shops with delicious smells of fresh-baked bread wafting through the doorways and fruits and vegetables piled high.
Pittsburgh Ballet Theatre is currently on tour in Israel to perform in the 25th anniversary of Karmiel Dance Festival. Principal dancer Alexandra Kochis is guest blogging about the experience for Pointe.