Taking Chances

Most vacations don’t turn into the job of a lifetime. But that’s exactly what happened when Jahna Frantziskonis took company class at San Francisco Ballet in the spring of 2015. “I had never been to San Francisco or seen the company besides on video,” explains Frantziskonis, 23. She had come to the city to visitMore »

Finding Your “Yes”

I felt shattered. Cut from the audition at barre. I was 24 years old and had been dancing professionally for eight years already. I’d been very fortunate in my career so far, and although I was no stranger to rejections, this was a first. I thought: I must not be a good dancer anymore. I’mMore »

Making Dreams Come True

Imagine having your first show with Misty Copeland inches away from you onstage. Copeland and her prince, American Ballet Theatre corps member Calvin Royal III, swooped into Houston, Texas, in November to dance in Open World Dance Foundation’s new, full-length production of Cinderella. Choreographed by OWDF directors Ekaterina Shchelkanova and Anton Boytsov, the community projectMore »

Her Time

At some point during her long career with American Ballet Theatre, Stella Abrera started to think it would never happen; paradoxically, this gave her a kind of peace. But on the evening of May 23, 2015, there she was, onstage at the Metropolitan Opera House, finally performing one of her dream roles: Giselle. It wasMore »

The Season of Crystal Pite

Crystal Pite considers herself to be on the contemporary end of the dance spectrum, but she’s playing in the major league of ballet companies this season. In September, the Canadian choreographer debuted The Seasons’ Canon, a large-scale work for 54 dancers at the Paris Opéra Ballet; in March, she will follow up with her firstMore »

The Standouts

Miami City Ballet’s National Tour In late April at the Harris Theater, Chicagoans found Miami City Ballet firing on all cylinders, following the company’s Lincoln Center debut and an engagement at Northrop in Minneapolis. Stage-filling Balanchine classics like Bourrée Fantasque, Serenade and Symphony in Three Movements struck a perfect balance between relaxed exuberance and cleanMore »

A Summer of Style

As a young student, Shea McAdoo’s classes at the Master Ballet Academy in Scottsdale, Arizona, were “strict, straightforward, very classical and purely Vaganova.” She appreciated the Russian rigor and precision, but when she was accepted to the School of American Ballet’s summer course at 13, she leapt at the chance to learn something new. TheMore »

Finding Balance

Courtney Henry knew she wanted to dance for Alonzo King LINES Ballet while she was still a student in the Ailey/Fordham BFA Program. “I saw LINES perform at The Joyce Theater, and I was blown away, particularly by the women,” she remembers. “They were commanding and strong, even scary in how powerful they were. IMore »