Gallery
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Some of us love big, bright smiles (photo of Jeanette Delgado by Blaine Covert)
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Mick Jagger's Q Magazine cover
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Harness the power of the sun to improve the height of your jumps, photo by Araí Moleri Riva-Zucchelli
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Dance Theatre of Harlem dancers, photo by Rachel Neville
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Rebecca Houseknecht at YAGP, photo by Rachel Papo
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Photo from set of "Hallberg At Work" by Garen Barsegian
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Boston Ballet's Yoko Callegari in a Tulips By Tracy skirt, photo by Francisco Estevez
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Sara Mearns photographed by Christopher Lane for Pointe
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Emily Molnar works with Ballet BC (photo by Michael Slobodian)
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Lauren Fadeley photographed by Alexander Iziliaev
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Swan Lake 2008, Graduation 2013 (ABT photo by Rosalie O'Connor, graduation courtesy Columbia)
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Ekaterina Kondaurova in 3D glasses at rehearsals for Swan Lake (photo courtesy Mariinsky Ballet)
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Amy Aldridge in The Four Temperaments, photo by Alexander Izilaev
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Summer students at The Rock School for Dance Education. Photo by Tiffany Yoon.
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Sabi Varga, left, and Lia Cirio in Helen Pickett's "Tsukiyo" at Boston Ballet, photo by Gene Schiavone
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“Being filmed is like having a bug around you constantly,” says Sisk. “But you can’t look at it, you can’t swat it—even though sometimes on a bad day I really wanted to.”
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Sisk performing Summer Fairy in Sir Frederick Ashton’s "Cinderella."
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Getting ready for the show
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“Before performances, I use our break to walk around or relax at a coffee shop. Then I come back and go through all my choreography. I’m superstitious: If my run-through goes well, I’m scared I’ll have a horrible performance, but if it goes badly, I’m like, I’m going to be just fine.”
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“Before I got to Ballet West, I never understood how much work goes into being a dancer. Even during breaks now, I’m constantly preparing for my next rehearsal. It’s no longer just having technique and showing up.”
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Nutnaree Pipit-Suksun performs as Mercedes in "Don Quixote." Photo by Robert Shomler.
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Emily Docherty tweaked her meals to help her recover from stress fractures. Photo by Jonah Hooper.
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Photo by Nathan Sayers for Pointe
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Elena Lobsanova uses her arms to help her hold the positions in Peasant Pas. Photo by Aleksandar Antonijevic.
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