Not Just For Kids

While New York City Ballet was off last August, corps member Sasonah Huttenbach was hard at work at the Danish Ballet Masters program, a two-week Bournonville workshop in New York City led by former Royal Danish Ballet dancers Mogens Boesen and Linda Hindberg. While they have always offered a student intensive, last summer Boesen andMore »

Juggling Two Worlds

Upon high school graduation, dancers are often forced to choose between going to college or pursuing a career right away. Since a dancer’s professional life is short, many who put school on hold plan to eventually go back. But with more options than ever before—from online degree programs to night classes to college programs developedMore »

The Actor’s Edge

Five years after joining American Ballet Theatre, corps member Zhong-Jing Fang sustained a serious ankle injury. Not one to let a setback take her off course, Fang wondered: What other things can I do as an artist? She loved imitating movie actresses as a child, so she decided to try acting while she recovered. ForMore »

Should I Stay or Should I Go?

When Sarah Walborn first joined San Francisco Ballet as an apprentice, the excitement of joining her dream company soon gave way to dread. “I would go into work every day with fear as opposed to the excitement I had in school,” explains Walborn, now with Ballet Arizona. “I didn’t want to do any roles, muchMore »

From Competition to Corps de Ballet

At age 15, competition veteran Hannah Bettes traveled to the Prix de Lausanne, her sights set on getting into The Royal Ballet School. The teen left the competition with a scholarship—and the Audience Choice Award, to boot. That same year, Bettes won the gold medal in the senior division at Youth America Grand Prix andMore »

Company Life: Brain Drain

Rowe and Daniel Devison-Oliveira in "Giselle" (photo by Erik Tomasson, courtesy SFB)

San Francisco Ballet corps member Julia Rowe’s first run-through of Mark Morris’ intensely complicated ballet Maelstrom did not go the way she’d planned. “I went to do my first entrance and blanked—completely,” she says. “I’d already had a full day of learning other ballets and my brain was fried, but there was no time toMore »

Company Life: In the Director’s Chair

Marlow and Logan Pachciarz in Ma Cong's "Angeli" (photo by Philip Koenig, courtesy Jill Marlow)

The off-season may mean rest and relaxation for some, but these pros see it as an opportunity to dive into their own projects. The results of their efforts—a multi-day festival, an international tour and an outdoor performance series—reflect the various ways that dancers challenge themselves in leadership roles outside of the studio. They’re finding newMore »

Company Life: Partner Trouble

When former New York City Ballet principal Jonathan Stafford was a young corps member, he remembers taking a big gulp when he was first cast to partner a principal. “I was not strong enough, and she decided after dress rehearsal that I wasn’t ready,” he says. “So the artistic staff brought back her previous partner.”More »