Small Fish, Big Pond

Pittsburgh Ballet Theatre corps member Caitlin Peabody was dancing famously at her small variety-dance school in Derry, New Hampshire, as a young student. She had so much potential that her instructor encouraged her to audition for Boston Ballet’s summer intensive, and she was accepted. Months earlier, she had starred as Cinderella in her school’s production.More »

Fresh Corrections

Growing up, Houston Ballet soloist Allison Miller often heard teachers compare the feeling you have during pirouettes to a corkscrew. But then her teacher, Diane Partington in Ellenton, Florida, offered up a surprising new analogy. Partington suggested Miller imagine a bank tube—a simple cylinder that uses suction to transport a round canister from a customer’sMore »

The Great Pointe Debate

As a pre-professional dancer, you need training that will help you transition as smoothly as possible into the rigorous environment of a professional ballet company. Among other considerations, that means developing strong and seamless pointework. Chances are, you’re spending a lot of your classes and rehearsal time in pointe shoes right now. That said, thereMore »

Plan Your European Audition Tour

Ever dreamed of dancing your way through Europe? Of discovering new companies and wandering the streets of historic cities? For Kelsey Coventry, an American dancer with Leipziger Ballett in Leipzig, Germany, moving abroad was the perfect next step. “I thought that I would try to spread my wings a little further,” she says. Europe alsoMore »

Your Training: At a Crossroads

Skipping college for a ballet career wasn’t an option for Boston Ballet corps member Sarah Wroth. “I didn’t see it as a stable future,” she recalls. But she loved ballet and wanted to continue dancing at school. She auditioned for Indiana University, confident she wouldn’t be accepted into its highly competitive ballet program. But whenMore »

The Competition Question

Boston Ballet soloist Dusty Button owes much of her success to the fast-paced world of dance competitions. In her early years, she competed in jazz and contemporary, and her first Youth America Grand Prix win landed her a spot at American Ballet Theatre’s Jacqueline Kennedy Onassis School, which led to a contract with ABT StudioMore »

The Competition Question

Boston Ballet soloist Dusty Button owes much of her success to the fast-paced world of dance competitions. In her early years, she competed in jazz and contemporary, and her first Youth America Grand Prix win landed her a spot at American Ballet Theatre’s Jacqueline Kennedy Onassis School, which led to a contract with ABT StudioMore »

More Than a Number

Jane Rehm was a top dancer at her studio in Toledo, Ohio, so it was a shock when she arrived at American Ballet Theatre’s summer intensive at 14 and was placed in the lowest level. “I didn’t understand it,” says Rehm, who dances with Smuin Ballet and Post:Ballet. “I had always been one of theMore »

Your Training: All in the Details

There are several technical hurdles that many dancers struggle to overcome, like raised shoulders and floppy wrists. Though they may seem like small details, they can stand between you and your next level—whether that’s entry to a prestigious summer intensive, a top score at a competition or even an apprentice position at a coveted company.More »