April/May 2009
Contents
April/May 2009
A star is born in "Billy Elliot: The Musical"
By Jennifer Stahl
Why Gabriella Yudenich has Philadelphia audiences buzzing
Brigitte Lefèvre, artistic director of the Paris Opéra Ballet, on the casting conundrum
By sharing their talents to help others in need, dancers can discover a kind of inspiration that they can’t get from technique class.
The sweat and magic that go into creating onstage chemistry
By Joseph Carman
There are more demands than ever on NYCB principals. How do Ashley Bouder, Sterling Hyltin and Sara Mearns handle it? Peek inside their routines.
Digging deep to find a role’s essence
By schitwood
Use corrections to improve your dancing–without becoming defeated.
Using everything you’ve got—and tapping everyone you know—is the key to building a career.
By nperadotto
The Royal Ballet’s principal Rupert Pennefather hits the top of his game with noble British understatement.