June/July 2012
Contents
June/July 2012
Modern classes help the Joffrey dancer add depth to his technique.
By Margaret Fuhrer
Corina Gill carves a new path at Boston Ballet.
By arivers
Assessing your professional potential, plus tips on scoring a second company contract and ways to develop musicality
By Amy Brandt
Ludmila Pagliero, the Paris Opéra Ballet’s newest étoile, has a bona fide Cinderella story.
By Laura Cappelle
Why cocaine continues to haunt the ballet world.
By Zachary Whittenburg
Caffeine can improve your dancing—if you use it correctly.
By Jennifer Stahl
11 ways to get more out of your intensive.
What to do if you take a spill onstage during a competition
By Lauren Kay
Suzanne Farrell explains why musicality is the key to Agon.
By Amy Brandt
Stanton Welch has transformed Houston Ballet into a leading force in the dance world.
By Nancy Wozny
Young dancer-choreographers manage a tricky balancing act.
By Margaret Fuhrer
ABT principal Paloma Herrera is old-fashioned about Facebook and surprised people obsess over her feet.
By Joseph Carman
