A photo of ballet slippers lined up on a white background.

Getty Images

#TBT: Alicia Alonso as Odile

Margaret Fuhrer

November 28, 2001

At 92, Cuban prima ballerina Alicia Alonso is a living legend. Now director of the Ballet Nacional de Cuba, she had a brilliant dancing career despite being partially blind from the age of 19. Here she is (with the none-too-shabby Azari Plisetsky) in excerpts from the Black Swan pas de deux—showing off, among other things, her prodigious turning ability. Happy #ThrowbackThursday!

#tbt alicia alonso black swan

Company Life

A group of eight ballerinas in red tutus kneel on their right knee in two diagonal lines and gesture toward a lead principal couple to their right. The principal ballerina, in a red tutus and gold tiara, poses in an attitude front on pointe with her right arm raised and her left hand on her hip. Her male partner stands behind her in tendu, holding her waist with his right hand and raising his left arm up.

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Seven ballerinas are photographed from above in the house of a theater. They stand side by side in front of a row of seats, wearing white practice tutus and leotards and their hair pulled back into buns. They fold their hands in their lap and look up with small smiles towards the camera.

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Alexandra Jones and Lindsey Donnell do a piqué first arabesque on pointe facing into each other in a large dance studio, with Jones on the left and Donnell on the right. Jones wears a royal blue leotard with pink tights pulled over it, pink legwarmers and pink pointe shoes. Donnell wears a royal blue high-neck leotard, a short black ballet skirt, and brown pointe shoes. They look out towards the camera and smile.

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