How It’s Done: Casualty of Love

(Photo by Rosalie O'Connor, courtesy Pittsburgh Ballet Theatre)

Nikiya’s epic “death” solo at the end of La Bayadère’s second act is more than a test of stamina: It’s integral to the ballet’s plot. In it, Nikiya laments her doomed relationship with Prince Solor, rejoices upon receiving a basket of flowers she believes to be from him and collapses after being bitten by aMore »

How It’s Done: Lessons in Subtlety

Kitchens with Jerome Tisserand in "Afternoon of a Faun" (photo by Angela Sterling, courtesy PNB)

The woman’s role in Jerome Robbins’ Afternoon of a Faun is surprisingly hard. The plot seems straightforward enough: two dancers happen upon each other in a studio. But the character, created for Tanaquil Le Clercq in 1953, oozes sensuality, innocence and vanity while responding—through the mirror—to her partner’s gaze. Here, Pacific Northwest Ballet soloist KyleeMore »