And the Nominees for the Benois de la Danse Are…

Misa Kuranaga in Onegin

Hollywood may have the Oscars, but ballet has the Benois de la Danse. The glamorous awards ceremony, held each year at Moscow’s Bolshoi Theatre, recognizes the year’s best dancers and choreographers around the globe. The 2017 nominees were announced yesterday, and they include some of our favorite dancers, including two Pointe cover stars! Two principalMore »

Your Weekend Plans: Catch Bolshoi Ballet at the Movies

On Sunday, March 19, Fathom Events will high-beam the Bolshoi Ballet to movie theaters around the world—and while we tend to associate the Bolshoi with 19th century classics, this time we’ll see their more versatile side. “A Contemporary Evening,” recorded from a performance earlier that day in Moscow, includes two ballets originally created on NewMore »

Two Premieres for Alexei Ratmansky

Choreographer Alexei Ratmansky will have world premieres on two coasts this winter. On February 10, Miami City Ballet debuted his new one-act version of The Fairy’s Kiss to Stravinsky’s celebrated score, a homage to Tchaikovsky. The following month, on March 15, at California’s Segerstrom Center for the Arts, American Ballet Theatre will premiere his WhippedMore »

Peek Inside the Lives of Three ABT Dancers

At Pointe, we’re always ready to watch a good ballet video, especially one that takes us behind the scenes with some of today’s most talented performers. An episode of the series NYC-ARTS, which aired on PBS yesterday, pretty much hits the video jackpot. It profiles not one, but three American Ballet Theatre dancers: corps deMore »

Callboard

ABT Celebrates Ratmansky American Ballet Theatre’s Ratmansky Festival is the centerpiece of the company’s spring season at Lincoln Center’s Metropolitan Opera House. Since festivals and celebrations usually come later in a choreographer’s career, it provides an unusual opportunity to see how ABT has adapted to and absorbed Alexei Ratmansky’s approach since he became artist inMore »

Rediscovering Aurora

It’s two weeks before the March world premiere of American Ballet Theatre’s The Sleeping Beauty at the Segerstrom Center for the Arts in Costa Mesa, California, and principals Diana Vishneva and Marcelo Gomes are hard at work. As the couple begins Princess Aurora and Prince Désiré’s Act III wedding pas de deux, they exude aMore »

The Protégé

A rehearsal viewing can be daunting for any young choreographer. But when the person watching you work is Alexei Ratmansky, one of the world’s greatest living choreographers, it could easily be overwhelming. “We had a five-hour rehearsal, and he sat on the marley and took notes the whole time,” recalls San Francisco Ballet corps memberMore »

ABT’s Nutcracker Moves to California

It’s news that, as a New Yorker, I am selfishly sad to report: American Ballet Theatre has announced that its The Nutcracker, choreographed by Alexei Ratmansky, will move to the west coast in 2015. Its last New York performance will be this December at the Brooklyn Academy of Music before it calls the Segerstom Center for the Arts in Costa Mesa, California, “home.” Ratmansky’s production premiered in 2010 and received instant praise for its fine use of students and quick wit.

 

Alexei Ratmansky Is Taking on “Sleeping Beauty”

Sometimes it seems like Alexei Ratmansky is remaking the classical canon, one ballet at a time. He restaged Le Corsaire and Flames of Paris back when he was director of the Bolshoi. Dutch National Ballet premiered his take on Don Quixote in 2010. He gave The National Ballet of Canada a new Romeo and Juliet in 2011. He took a risk with his unconventional Firebird for American Ballet Theatre in 2012. And ABT has made his delightful Nutcracker an annual New York tradition.