After scouting for a ballet company to feature in the melodramatic reality show “Breaking Pointe,” the producers made a U-turn back to Adam Sklute, the CEO and artistic director of Ballet West in Salt Lake City. “They said, In our screen tests, your company is the most photogenic. They have really interesting stories and we’d … More »
For American audiences, Balanchine’s “Rubies” is instantly recognizable. Cuban audiences, though, have never seen the iconic work, due to over five decades of severed diplomatic relations with the U.S. That will change this Sunday, when Beckanne Sisk and fellow Ballet West principal Christopher Ruud perform the saucy, showy “Rubies” pas de deux at the International Ballet … More »
For the last two years, Ballet West’s Emily Adams choreographed for the company’s Innovations program. Now, she’s standing on the other side of the studio, preparing to dance in Jessica Lang’s Lyric Pieces. Adams spoke with Pointe about working with an established female voice and how it’s inspired her as a choreographer. What is Lyric Pieces about? Jessica … More »
Theo Pilette performs at the 2015 YAGP Finals. Photo by Taylor Brandt, Courtesy Ellison Ballet Youth America Grand Prix, the world’s largest ballet scholarship competition, is about to get even bigger. The organization is holding its first semi-final in Beijing, China this weekend, and just announced that it is adding a new semi-final location and … More »
Informal connections between BFA programs and professional troupes have been around for decades. But in the last dozen years, some companies and universities began formalizing their relationships, creating joint BFA/trainee programs that provide enrollees both significant pre-professional experience and a four-year degree. In a time of shrinking job opportunities and rising tuition costs, that makes … More »
Sometimes I wish I were best friends with all the world’s ballet costume designers and wardrobe supervisors. They have such fascinating perspectives on ballet history and the dancing body, and they’re gifted artists in their own right. Plus—at least according to the recent spate of behind-the-scenes videos that investigate ballet costume shops—they all seem to be really cool people.
Have you gotten your April/May issue of Pointe yet? Click on the photo at right for an exclusive sneak peek. It’s an outtake from Jim Lafferty’s photo essay, which chronicles Ballet West, Nevada Ballet Theatre and Pacific Northwest Ballet’s historic shared production of George Balanchine’s Jewels. Lafferty captured the dancers backstage: warming up in company class, soaring in performance. The result is a kind of magical series of intimate images. Keep your eyes peeled for the full feature.
When Adam Sklute spoke to Pointe earlier this year about his company’s decision to participate in “Breaking Pointe,” he said one of the driving reasons behind allowing cameras into his studios was the opportunity to set “the record straight about the real dramas and the real joys that happen in the ballet world, without having to play into stereotypes.”