The European Difference

When Holly Dorger arrived in Copenhagen to join the Royal Danish Ballet after graduating from the School of American Ballet, she was shocked by the unfamiliar. “We brought home cat food thinking it was canned tuna,” she laughs, recollecting her first weeks among new surroundings. Nine years later, the principal dancer calls Copenhagen home, creditingMore »

From Ballet Company to Broadway

A debilitating illness forced Katelyn Prominski to retire early from Pennsylvania Ballet. However, once she recovered, she felt ready to tackle a new stage: Broadway. But before she began booking musicals like Flashdance and Dirty Dancing, she had to reckon with a new and humbling audition process. “When you go into a Broadway audition, youMore »

Not Just For Kids

While New York City Ballet was off last August, corps member Sasonah Huttenbach was hard at work at the Danish Ballet Masters program, a two-week Bournonville workshop in New York City led by former Royal Danish Ballet dancers Mogens Boesen and Linda Hindberg. While they have always offered a student intensive, last summer Boesen andMore »

Juggling Two Worlds

Upon high school graduation, dancers are often forced to choose between going to college or pursuing a career right away. Since a dancer’s professional life is short, many who put school on hold plan to eventually go back. But with more options than ever before—from online degree programs to night classes to college programs developedMore »

The Actor’s Edge

Five years after joining American Ballet Theatre, corps member Zhong-Jing Fang sustained a serious ankle injury. Not one to let a setback take her off course, Fang wondered: What other things can I do as an artist? She loved imitating movie actresses as a child, so she decided to try acting while she recovered. ForMore »

Should I Stay or Should I Go?

When Sarah Walborn first joined San Francisco Ballet as an apprentice, the excitement of joining her dream company soon gave way to dread. “I would go into work every day with fear as opposed to the excitement I had in school,” explains Walborn, now with Ballet Arizona. “I didn’t want to do any roles, muchMore »

From Competition to Corps de Ballet

At age 15, competition veteran Hannah Bettes traveled to the Prix de Lausanne, her sights set on getting into The Royal Ballet School. The teen left the competition with a scholarship—and the Audience Choice Award, to boot. That same year, Bettes won the gold medal in the senior division at Youth America Grand Prix andMore »

Company Life: Brain Drain

Rowe and Daniel Devison-Oliveira in "Giselle" (photo by Erik Tomasson, courtesy SFB)

San Francisco Ballet corps member Julia Rowe’s first run-through of Mark Morris’ intensely complicated ballet Maelstrom did not go the way she’d planned. “I went to do my first entrance and blanked—completely,” she says. “I’d already had a full day of learning other ballets and my brain was fried, but there was no time toMore »

Minding the Gap Year

After two years as an apprentice with Charlotte Ballet, Lauren Fagone was excelling and expecting to be promoted. But that April, Fagone, now a leading dancer with Richmond Ballet, was notified that there were no available company positions. Even worse, audition season was already over. With no job prospects, Fagone was left in a limboMore »