Beckanne Sisk on Bringing Balanchine’s “Rubies” to Cuba

Beckanne Sisk

For American audiences, Balanchine’s “Rubies” is instantly recognizable. Cuban audiences, though, have never seen the iconic work, due to over five decades of severed diplomatic relations with the U.S. That will change this Sunday, when Beckanne Sisk and fellow Ballet West principal Christopher Ruud perform the saucy, showy “Rubies” pas de deux at the International BalletMore »

Cuban National Ballet School Welcomes an American Dancer

Ever since diplomatic relations were reestablished between Cuba and the U.S. back in 2014, people have been wondering what increased cultural exchange might mean for Cuban ballet. This week, it was announced that Catherine Conley, a dancer from Chicago’s Ruth Page Center for the Arts, was invited to train at Cuban National Ballet School. TheMore »

Marvelous Mayara

After Pennsylvania Ballet’s Mayara Pineiro and Arian Molina Soca run their Nutcracker pas de deux in rehearsal, ballet master Charles Askegard asks for just one correction. Pineiro—who is thrilling as she plunges headlong into penché, whips into crisp turns and hurls herself backward into Soca’s arms—is asked to emphasize taffy-like stretches into lengthened holds. AskegardMore »

Dateline: Havana

“My dream was to dance in Cuba,” says Lorena Feijóo. “I didn’t want to leave my country.” It’s a lament the San Francisco Ballet principal shares with countless other members of the Cuban ballet diaspora: dancers who left their families, culture and country behind to escape economic hardship and seek artistic freedom abroad. The diasporaMore »

Carlos Acosta Retires From Royal Ballet

(photo by Ian Gavan, courtesy ROH) After 17 years at The Royal Ballet, Carlos Acosta is ready to begin his next chapter. The principal dancer retired from the company last night after performing in his new production of Carmen, which he choreographed and starred in. According to The Telegraph, after receiving a 20-minute standing ovationMore »