Former Royal Ballet principals Tamara Rojo and Carlos Acosta are notably one of the best couples to perform together. In this clip of Manon, it’s clear that Rojo and Acosta have an unadulterated chemistry, even with the pas de deux’s technically exhaustive demands. Like Romeo and Juliet, Manon tells the story of star-crossed lovers. Though … More »
It’s one thing to receive a nod of approval from your boss, but imagine how special it must feel to be validated by your fellow company members. Tomorrow, six English National Ballet dancers—Isabelle Brouwers, Jeanette Kakereka, Rina Kanehara, Erik Woolhouse, Daniele Silingardi and Cesar Corrales—will compete for the company’s seventh annual Emerging Dancer Award. And … More »
Each year, English National Ballet gives one company member the Emerging Dancer Award. Meet this year’s finalists—three men and three women in the company who will compete in front of a distinguished panel of judges on Tuesday, May 17: For more news on all things ballet, don’t miss a single issue.
At 25, Isaac Hernández is entering his prime, and he knows it. This eternally restless dancer, already a veteran of two companies, recently found a home at a third, English National Ballet. There, he has been paired with the eminent ballerinas Tamara Rojo (his boss) and Alina Cojocaru. His has been an impressive ascent for … More »
Although it’s hard for me to imagine Tamara Rojo, the strong and savvy dancing director of the English National Ballet, as a helpless maiden (or to look away from those steely legs), she wonderfully captures Snow White’s sweet charm. This 2006 clip is from the balletic adaptation of the tale directed by Emilio Aragón … More »
In this clip from The Royal Ballet’s 2000 production of The Nutcracker, a 19-year-old Alina Cojocaru, now a principal with the English National Ballet, does the near impossible: she makes Clara’s adoration for a nutty-looking wooden doll appear genuine. Cojocaru aptly navigates the role’s acting challenges: Clara must have both girlish innocence and womanly poise. … More »
While the 20th century brought a number of high-profile dancing directors, from Rudolf Nureyev in Paris to Mikhail Baryshnikov at American Ballet Theatre, most today don’t juggle the highly demanding tasks of simultaneously performing and managing a company. Tamara Rojo is one prominent exception: The Spanish ballerina left The Royal Ballet to become director of … More »
(Van Le Ngoc’s Vue de L’autre, photograph by Tristram Kenton)
The English National Ballet announced on Monday that next year inaugurates a partnership between the company and London’s Sadler’s Wells Theatre.
Who would have thought that the English National Ballet would be popular with an early-morning music festival crowd? In past years Glastonbury—a major music festival in England—has experiemented with several different kinds of performances for its Sunday morning slot. This year, the English National Ballet took the stage to perform Akram Khan’s Dust, a ballet about women during World War I.
Even ballet fans far from the U.K. know and love longtime English National Ballet star Daria Klimentová.
We know her by her dancing, of course: She is supremely elegant, expressive, and precise. During her 25 years with the company, she brought a jewel-like sparkle to nearly every role in the classical repertoire.