Why Aren’t We Teaching Aspiring Ballerinas How to Choreograph?

Crystal Pite

In February, I attended the Prix de Lausanne, where I moderated a series of panel discussions that were open to the competing students, their teachers and parents, and the public. One topic I was particularly excited about concerned women in leadership roles, and how the ballet world can better nurture leadership qualities in female dancers. MyMore »

Inside Crystal Pite’s First Work for The Royal Ballet

We’re seeing a lot of Crystal Pite in the ballet world this season—and no one is complaining. Only a few months after debuting a work for the Paris Opéra Ballet, her first creation for The Royal Ballet premiered last night, alongside work by Christopher Wheeldon and David Dawson. According to The Guardian, the last timeMore »

Oregon Ballet Theatre’s New Choreographic Competition

The lack of female choreographers in the ballet world has come under recent scrutiny. Why are so few women given opportunities to create for major companies—especially when they’re out there, steadily making work? How can companies, schools, patrons and mentors cultivate emerging choreographers? Many companies have addressed the dearth through deliberate programming, like the EnglishMore »

New York University’s New Choreographic Fellowship

In an effort to support female ballet choreographers, NYU’s recently formed Center for Ballet and the Arts will now offer the Virginia B. Toulmin Fellowship for Women Choreographers—a 35,000 stipend, office and studio space, and access to housing in NYC. The fellowship will be awarded to three choreographers and for a three-year period.