Your Weekend Plans: Catch Bolshoi Ballet at the Movies

On Sunday, March 19, Fathom Events will high-beam the Bolshoi Ballet to movie theaters around the world—and while we tend to associate the Bolshoi with 19th century classics, this time we’ll see their more versatile side. “A Contemporary Evening,” recorded from a performance earlier that day in Moscow, includes two ballets originally created on NewMore »

How It’s Done: Casualty of Love

(Photo by Rosalie O'Connor, courtesy Pittsburgh Ballet Theatre)

Nikiya’s epic “death” solo at the end of La Bayadère’s second act is more than a test of stamina: It’s integral to the ballet’s plot. In it, Nikiya laments her doomed relationship with Prince Solor, rejoices upon receiving a basket of flowers she believes to be from him and collapses after being bitten by aMore »

How It’s Done: Lessons in Subtlety

Kitchens with Jerome Tisserand in "Afternoon of a Faun" (photo by Angela Sterling, courtesy PNB)

The woman’s role in Jerome Robbins’ Afternoon of a Faun is surprisingly hard. The plot seems straightforward enough: two dancers happen upon each other in a studio. But the character, created for Tanaquil Le Clercq in 1953, oozes sensuality, innocence and vanity while responding—through the mirror—to her partner’s gaze. Here, Pacific Northwest Ballet soloist KyleeMore »

Happy 4th of July!

What better way to celebrate the 4th of July weekend than by revisiting classic ballets that have acted as pillars of American dance? The wider dance world beautifully represents the diversity and complexity of what it means to be American. Unfortunately, ballet’s contributions to national identity have historically been pretty narrow, reflecting youth and energy, and not much else.

Ballet For A New Generation

While ballet dancers in sneakers performing a steamy duet in the middle of two abandoned train tracks may sound like something out of a game of truth or dare, it’s actually a scene in a new film being produced by New York City Ballet soloists Sean Suozzi and Ellen Bar. Based on Jerome Robbins’s NYMore »