In February, I attended the Prix de Lausanne, where I moderated a series of panel discussions that were open to the competing students, their teachers and parents, and the public. One topic I was particularly excited about concerned women in leadership roles, and how the ballet world can better nurture leadership qualities in female dancers. My … More »
Misty Copeland’s dancing and Justin Peck’s choreography have graced stages around the world. Now, these two stars will test themselves as curators. This year, the John F. Kennedy Center for the Performing Arts, in Washington, DC, features their respective visions as part of the Ballet Across America program, April 17–23. During the first half of … More »
Is there any stopping Justin Peck? In less than a decade, the 29-year-old New York City Ballet soloist and resident choreographer has made over 30 ballets, quickly becoming one of the world’s most sought-after dancemakers. Now he can add another milestone to the list: Broadway. This week, The New York Times reported that Peck will choreograph the Broadway revival of … More »
Not too long ago, we found out that Sergei Polunin would be getting his big Hollywood break with two film roles, including one in an upcoming spy thriller called Red Sparrow. Details about the project have been scarce so far, but we know that the story takes place in modern-day Russia, and revolves around a … More »
Admit it: You’ve considered the various ways you could sneak your favorite costume home with you. We don’t blame you. Whether it’s a jaw-dropping tutu or the world’s most comfortable slip, costumes are made to make dancers look and feel beautiful. Here, we’ve rounded up some of our favorites, that just happen to be street-style … More »
There’s something compelling about the pristine classicism of ballet contrasted against a gritty setting. The viral success of videos like Sergei Polunin and David LaChapelle’s “Take Me to Church” doesn’t lie. Here’s another video to add to the list of edgy and beautiful dance films out there: Ezra Hurwitz’s latest endeavor with San Francisco Ballet. … More »
New York City Ballet resident choreographer Justin Peck has balletomanes everywhere on the edge of their seat, impatiently awaiting the premiere of his first narrative work, The Most Incredible Thing. Based on a Hans Christian Andersen fairytale, the ballet will feature dozens of NYCB dancers and students from SAB (the cast numbers more than 50!). … More »
Justin Peck, the prolific resident choreographer at New York City Ballet, was recently profiled on CBS news. The piece features performance and rehearsal clips from several of his newest creations: ‘Rōdē,ō: Four Dance Episodes, Belles-Lettres, Heatscape (choreographed for Miami City Ballet) and scenes from the documentary film Ballet 422.
It’s no secret that as mainstream newspapers have folded or cut costs in recent years, dance criticism has taken a major hit. And while some dancers may have adverse feelings towards critics (especially if they’ve been on the receiving end of a bad review), criticism is nonetheless a vital facet of arts coverage, one that sparks debate and conversation about a performance and draws interest to the company in question.
You’ve probably heard about the documentary Ballet 422, which is in theaters February 6. The film is directed by Jody Lee Lipes, and chronicles the making of New York City Ballet’s 422nd world premiere: Justin Peck’s Paz de la Jolla.