When Boston Ballet announced its partnership with choreographer William Forsythe last year, it named his full-length Artifact as its first new acquisition. Created in 1984, Artifact is considered by many to be Forsythe’s greatest masterpiece, yet it has never been performed in its entirety by a U.S. company. Simultaneously abstract and theatrical (two characters—a Person … More »
Boston Ballet principal Misa Kuranaga is one of the most inspiring dancers I’ve ever met. After losing her apprenticeship with San Francisco Ballet, instead of giving up, she begged the School of American Ballet to train her. She went back to school, back to the basics, completely reworking her technique. Now she’s one of ballet’s most beloved stars. This photo is one of my favorite outtakes from our August/September cover shoot.
“Our next generation is coming in very strong,” says Boston Ballet Artistic Director Mikko Nissinen, who recently promoted five company dancers to the rank of principal—Kathleen Breen Combes, Pavel Gurevich, Melissa Hough, Misa Kuranaga and James Whiteside. Significantly, four of the five members of the new crop of stars worked their way up from either … More »