#TBT: Pointe Cover Stars Then & Now

Since 2000, megastars and budding ballet celebrities alike have graced the covers of Pointe. Take a walk with us down memory lane as we recall some of the biggest names from some of our earliest issues. Whether they continue to perform or have transitioned to a position at the front of the studio, these stars have real stayingMore »

Paloma Herrera’s Next Step: Artistic Director

Paloma Herrera in Giselle.

This morning, the Argentine newspaper La Nacion reported that Paloma Herrera has been appointed artistic director of Teatro Colón’s ballet company in Buenos Aires. The longtime American Ballet Theatre star replaces current artistic director Maximiliano Guerra, starting next week. Herrera, who trained at Colón’s school, has long been one of Argentina’s most celebrated ballerinas. She left Buenos Aires toMore »

#TBT Paloma Herrera in Le Corsaire (1999)

When it comes to gender roles, Le Corsaire is anything but modern. The female characters are passed from pasha to pirate and back again, and they do little else than dance for the men—whether those men are good or evil, lover or foe. (With the ballet’s excessively convoluted plot, it’s often hard to tell). InMore »

Paloma Herrera and Xiomara Reyes Say Good-bye at ABT

 

Today, two of American Ballet Theatre’s longtime stars, Paloma Herrera and Xiomara Reyes, retire from the company in—what is sure to be emotionally charged—back-to-back performances of Giselle. Herrera, who has danced with ABT for 24 years, will say good-bye during this afternoon’s matinee, while Reyes will give her final performance tonight. The departure of both dancers marks an end of an era, and a sign of change for ABT’s future. In two seperate interviews, both dancers offered reflections on their careers, retirements and future plans.

 

#TBT: Paloma Herrera in Don Quixote (1998)

Don Quixote’s flirtatious and spunky Kitri is an exciting character for ballerinas to portray—any role is fun if it includes a prop fan! But it’s also an important stepping-stone in a dancer’s professional career, alongside Juliet, Odette/Odile and Aurora. In this 1998 recording, Paloma Herrera masters the role, raising the standard for future Kitris in only her third year as principal dancer for American Ballet Theatre. As she dances this variation, Herrera consumes the stage, abandoning all fear.

Studio to Street: Paloma Herrera

Ask Paloma Herrera about her fashion sense, and you’ll get a decisive answer. “I hate shopping,” she says. “I’m very basic and I know my style well, so when I’m looking through a store window I can see if there’s something I want to try on.” The principal dancer favors clean, classic lines and beautifulMore »

Inside a Great Partnership

In the ballet world, great partnerships are rare. The unique chemistry of a splendid ballerina and her attentive partner can hold audiences spellbound. Witnessing a pas de deux by extraordinarily simpatico dancers can fundamentally change the way one perceives ballet. At American Ballet Theatre, Paloma Herrera and Marcelo Gomes deliver that special combination of balletMore »