Inside Victoria Hulland’s Dance Bag

You could say that Victoria Hulland is Sarasota Ballet’s resident corn pad dealer. The principal dancer keeps her bag stocked with special, extra-thick pads, which she uses between her toes. “A lot of the girls come to me if they have really bad corns,” she says. “You can’t buy these from CVS.” Since she getsMore »

An American First

Sarasota Ballet artistic director Iain Webb approached Tony Dyson—owner of Sir Frederick Ashton’s Enigma Variations—about obtaining choreographic rights without knowing the historic 1968 ballet had only ever been performed by The Royal Ballet and Birmingham Royal Ballet. Fortunately, the request occurred during the May 2014 Sir Frederick Ashton Festival in Sarasota, at which Dyson watchedMore »

Callboard

ABT Celebrates Ratmansky American Ballet Theatre’s Ratmansky Festival is the centerpiece of the company’s spring season at Lincoln Center’s Metropolitan Opera House. Since festivals and celebrations usually come later in a choreographer’s career, it provides an unusual opportunity to see how ABT has adapted to and absorbed Alexei Ratmansky’s approach since he became artist inMore »

The Circus Gets Nutty at Sarasota Ballet

What do the Nutcracker and the circus have in common? A whole lot if you’re a dancer at Sarasota Ballet, where Matthew Hart has reimagined the holiday classic as John Ringling’s Circus Nutcracker. The whimsical production, which honors Sarasota as the longtime winter home of the circus, is complete with acrobats, clowns and a tightrope and runs Dec. 18-19. ForMore »

The Standouts

Olga Smirnova Expectations can be a heavy burden to bear for a young dancer on the fast track to stardom. Few have justified the hype like the Bolshoi Ballet’s 21-year-old Olga Smirnova. The Vaganova-trained first soloist had an international coming out party to remember in London this summer. Her performances in La Bayadère and SwanMore »