How It’s Done: Casualty of Love

(Photo by Rosalie O'Connor, courtesy Pittsburgh Ballet Theatre)

Nikiya’s epic “death” solo at the end of La Bayadère’s second act is more than a test of stamina: It’s integral to the ballet’s plot. In it, Nikiya laments her doomed relationship with Prince Solor, rejoices upon receiving a basket of flowers she believes to be from him and collapses after being bitten by aMore »

Planning Plan B

Young in "Nashville's Nutcracker" (photo by Karen Kipley, courtesy Nashville Ballet)

Reduce the disappointment of a college rejection by having a strong backup plan. Kristin Young’s family is a legacy at Indiana University. While they weren’t dancers, both her mother and her sister had attended IU, and she grew up near Indianapolis making regular pilgrimages to Bloomington for sports events. So when the rejection to IU’sMore »

Beyond Ballet Class

Julie Van Camp teaching dance and aesthetics to Colorado Ballet Academy students (photo courtesy Colorado Ballet)

When choosing a pre-professional program, many dancers focus on the number of hours they’ll spend training in the studio. But technique is only one ingredient in the recipe for making a professional dancer. To produce well-rounded artists, many ballet schools are expanding their curriculums to include classes in dance history, science, stagecraft and career counseling.More »

How It’s Done: Lessons in Subtlety

Kitchens with Jerome Tisserand in "Afternoon of a Faun" (photo by Angela Sterling, courtesy PNB)

The woman’s role in Jerome Robbins’ Afternoon of a Faun is surprisingly hard. The plot seems straightforward enough: two dancers happen upon each other in a studio. But the character, created for Tanaquil Le Clercq in 1953, oozes sensuality, innocence and vanity while responding—through the mirror—to her partner’s gaze. Here, Pacific Northwest Ballet soloist KyleeMore »

Small Fish, Big Pond

Pittsburgh Ballet Theatre corps member Caitlin Peabody was dancing famously at her small variety-dance school in Derry, New Hampshire, as a young student. She had so much potential that her instructor encouraged her to audition for Boston Ballet’s summer intensive, and she was accepted. Months earlier, she had starred as Cinderella in her school’s production.More »

Fresh Corrections

Growing up, Houston Ballet soloist Allison Miller often heard teachers compare the feeling you have during pirouettes to a corkscrew. But then her teacher, Diane Partington in Ellenton, Florida, offered up a surprising new analogy. Partington suggested Miller imagine a bank tube—a simple cylinder that uses suction to transport a round canister from a customer’sMore »

The Great Pointe Debate

As a pre-professional dancer, you need training that will help you transition as smoothly as possible into the rigorous environment of a professional ballet company. Among other considerations, that means developing strong and seamless pointework. Chances are, you’re spending a lot of your classes and rehearsal time in pointe shoes right now. That said, thereMore »

Plan Your European Audition Tour

Ever dreamed of dancing your way through Europe? Of discovering new companies and wandering the streets of historic cities? For Kelsey Coventry, an American dancer with Leipziger Ballett in Leipzig, Germany, moving abroad was the perfect next step. “I thought that I would try to spread my wings a little further,” she says. Europe alsoMore »