New York City Ballet

 What an exciting trip this was! Overall, I was extremely impressed with the kindness and enthusiasm of the Cuban ballet fans. Dance is a huge deal in Havana--there are pictures of Alicia Alonso everywhere. Many people saw our first performance and insisted on coming back for the second one. They waited for us outside the stage door and took pictures and asked for autographs. They tried hard to communicate to us in broken English how much they enjoyed the program. I met some people in the hotel who had traveled from Argentina specifically to see the dance festival.

Wondering about what your ideal post-dance dinner should be? Curious about which cross-training strategies are best for your body? Head to New York City Ballet's Dance Wellness Workshop tomorrow at the company's rehearsal studios in New York.

 

Oh, ballet dancers: We're nothing if not perfectionists. From our first class we're programmed to eliminate flaws--or at least camouflage them.

The following is guest blog by New York City Ballet soloist (and February/March 2010 cover girl) Kathryn Morgan. Stay tuned for more posts from Kathryn!

 

The following is guest blog by New York City Ballet soloist (and February/March 2010 cover girl) Kathryn Morgan. Stay tuned for more posts from Kathryn!

 

The following is guest blog by New York City Ballet soloist (and February/March 2010 cover girl) Kathryn Morgan. Stay tuned for more posts from Kathryn!

 

The New York City Ballet spent its winter season tackling Big Story Ballets: Swan Lake, Sleeping Beauty, A Midsummer Night's Dream. So when I entered the David H. Koch theater last night (right before Sarah Jessica Parker, no less!) for the company's spring gala, I was anticipating--OK, eagerly anticipating--a return to balletic abstraction, to sleek unitards and challenging music and movement for movement's sake.

It seems like ballet dancers have been popping up in all kinds of fashion spreads these days! First we noticed a few of ABT's most beautiful men in the February issue of Elle magazine, lounging at the ABT studios with model Nataša Vojnović (and some JKO School students). Then New York City Ballet soloist Ellen Bar appeared in a gorgeous gown in J. Crew's March catalogue.

As dancers, we thrive on that ability to transcend the normal and become someone (or something) else on stage.  It places us among the lucky few people who have the opportunity to experience that intangible freedom of another world.