Pointe is on the hunt: We're searching companies across the globe for today's most promising corps de ballet dancers—and we want your input! Which up-and-comers do you think are destined for stardom? Send your ideas to email@example.com, leave a list in the comments here or on Facebook, or shoot us a Tweet. We'll read every nomination to decide who to include in an exclusive feature in Pointe's June/July issue.
I went to see NYCB again on Saturday, and was treated to another performance of Balanchine's Le Tombeau de Couperin, which is a vehicle for the company's very young, very hungry corps de ballet. I saw this piece for the first time a couple of weeks ago (on the same program as Episodes), and I enjoyed it just as much. It's Balanchine's architectural sensibility at its finest--marvelously kaleidoscopic patterns emerge and dissolve constantly, as the eight men and eight women constantly rearran