training

Ballet training and all of its associated fees provide a serious barrier to entry for many aspiring dancers. Tuition, appropriate dancewear, pointe shoes and summer intensives add up, and up...and up. Nowadays, many students also compete and the cost to travel to competitions, pay for custom tutus and contract private coaching is astronomical. Then there's room and board at a professional school or conservatory, and the private lessons and coaching that many dancers receive regardless of whether they go the competition route.

Published June 2, 2015
How to adjust at a summer intensive when you’re the star of your hometown studiomore »
Published June 1, 2015
At the beginning of your professional career, everything feels like a mystery. If only our older, wiser selves could divulge what mistakes and mentalities to avoid. Here, five seasoned, leading dancers share what they wish they had known at the start of their careers, and offer sage advice for those…more »
Published April 2, 2015
All dancers strive towards an unattainable ideal. Writer Laura Jacobs explains why the most interesting artists transcend their imperfections.more »

American Ballet Theatre is heading up to Harlem. The company just announced a new partnership with the Harlem School of the Arts. Starting this fall, all HSA dance faculty members will be trained in ABT's National Training Curriculum. JKO principal Franco De Vita will serve as an advisor and conduct master classes at the school throughout the year. The new ballet curriculum will be added to HSA's current classes in jazz, tap, modern, African and hip hop.

 

When you dance, do you do the movement, explore it or listen to how your body wants to perform it?

This weekend I took a workshop with Nathan Trice, a former Complexions, MOMIX and Donald Byrd dancer who now runs his own troupe. His movement style is kind of a modern dance-based version of contemporary ballet; it's slinky and line-driven, but much of the choreography is actively turned in. My body loved the it's amazing flow and kookiness. Yet the process by how Trice wanted us to move was incredibly challenging for me.

Published November 20, 2009
Suzanna Farrell Ballet dancer Amy Brandt answers your questions about auditions, demi-pointe and the most strategic training routes.more »