The Royal Ballet's latest production comes from someone completely outside the ballet world: Audrey Niffeneger, author of The Time Traveler's Wife. Her latest project, Raven Girl, is going to be simultaneously released this Friday as both a graphic novel and a ballet, with choreography by The Royal's resident choreographer Wayne McGregor.
London ballet fans, get excited: It was just announced yesterday that Natalia Osipova will join The Royal Ballet. Her first role will be Juliet opposite Carlos Acosta this fall. The only problem? She's still on contract as a principal with both American Ballet Theatre and the Mikhailovsky Ballet. Although the Mikhailovsky director said she'd be warmly welcomed back to St.
The "bad boy" of ballet is at it again: Sergei Polunin seems to have walked out on rehearsals for Peter Schauffuss's highly-anticipated London production of Midnight Express. For those who have been following the 23-year-old dancer's career, his latest move isn't surprising. He abandoned The Royal Ballet last January just a week before he was supposed to star in The Dream. Polunin has since worked with the Stanislavsky Ballet in Moscow and he guested with The Royal last month.
What's Kevin O'Hare planning to do with The Royal Ballet? A video feature published today by online magazine Crane.tv interviews the new artistic director about his vision for the company. Get a peek inside the Royal's studios, hear O'Hare's plans for the future and watch footage of the dancers performing a number of ballets, including a new Wayne McGregor work. It's like a 3-minute trip to Covent Garden.
The Royal Ballet just announced today that Liam Scarlett has been appointed the company's first-ever artist in residence. The position will allow him to focus solely on creating work for The Royal (his last appearance as a dancer will be in the current run of Swan Lake). He joins resident choreographer Wayne McGregor and artistic associate Christopher Wheeldon as one of three dancemakers who will now be making work on regular basis for The Royal. It's a sign of the company's serious commitment to new ballet choreography.