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Pointeworks Spotlights Women in Ballet, Onstage and Off

Catie Robinson

In a ballet studio, four dancers pose in tendu derriere on a bent front leg, their arms extended out to the sides as they lift their chests up and arch back. A ballet coach watches and speaks to them, gesturing with her arms.

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Students and Pros Share the Stage at the Arizona Grand Gala of Stars

Kyra Laubacher

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Pointe Is Turning 25!

Pointe Magazine

Gianna Reisen, wearing loose-fitting clothing, contracts her upper body as she curves over her front leg, lifted in a parallel passé. She bends her supporting leg and crosses her arms with flexed wrists and curved fingers, looking at the mirror. A dancer watches her from behind.

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Gianna Reisen on Her First Narrative Work, an Alice in Wonderland for Carolina Ballet

Kyra Laubacher

Gilbert Bolden III lunges out on the downstage left line, pushing away with his right arm. Tiler Peck holds onto his left hand as she leans back on a bent standing leg, her left extended straight in the air. They wear simple street clothing and white tennis shoes.

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Your March Roster Roundup: Dancers and Directors on the Move

Kyra Laubacher

Andrea Marini, shirtless and wearing a green and gray plaid kilt, black knee socks, and black ballet slippers, jumps in front of a gray backdrop. He lifts his left leg in passé and leans his body to the right, looking over his right shoulder and lifting his left arm up and his right arm out to the side.

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Ethan Stiefel Adapts a Bournonville Classic for American Repertory Ballet

Amy Brandt

Digital Cover Star

Quickfire Questions With March/April Digital Cover Star Katherine Ochoa

April Deocariza

Alexandra Light wears light blue overalls and stands with her back to the mirror in a large ballet studio, smiling as she directs rehearsal. Two dancers perform in front of her, holding one hand with arms outstretched as they run together toward the corner.

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Texas Ballet Theater Adds to the Lamentation Variations Canon

Catie Robinson

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