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As Boys Ballet Summer Intensive Celebrates 10 Years, Co-Founder Patrick Frenette Wants Young Men to Know They Belong

Lucy Spencer Mason

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This August: Pointe Live Classes & Conversations for Adults in NYC

Pointe Magazine

Two photos side-by-side show SunMi Park (left) and Jarod Curley (right) lifting their arms at a curtain call celebrating their promotions. Park wears a white pancake tutu with feathers and a feathered headpiece, and Curley wears white tights and a brown velvet vest over a light-colored tunic. Other dancers and applaud them from behind.

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Your August 2026 Roster Roundup: Dancers and Directors on the Move

Kyra Laubacher and Lucy Spencer Mason

Four female dancers in white leotards, white tights, and white slippers do an arabesque facing stage left in a staggered line. They bend their supporting knee, pressing over their standing foot, and hodl their arms up in a V shape, fists clenched.

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San Francisco Ballet Returns to Jacob’s Pillow After 70 Years

Lucy Spencer Mason

Misty Copeland stands with her arms crossed confidently and gives a sly smile as she poses for a portrait in front of a dark gray backdrop.

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Curating for The Joyce Theater, Misty Copeland Envisions Ballet’s Future

Kyra Laubacher

A male ballet teacher in black workout pants and a blue t-shirt teaches a class of teenage ballet students. He poses in tendu croisé devant in the studio's upstage corner, looking out. The dancers, wearing various leotards, tights, and ballet slippers, stand behind him and copy him.

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Inside Pointe Live Classes & Conversations’ Return to the Windy City

Pointe Magazine

Igone de Jongh, Diana Vishneva, and Mara Galeazzi stand in a diagonal line with one arm lifted to the side and the other lifting gently front with the elbow bent. They wear dark-colored practice clothes.

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How WINN Dance, a New Company for Performers Over 40, Is Changing the Conversation Around Aging

Emily May

Marianela Nuñez, in a bright red, full dress with tulle and ribbons, sits with one leg tucked in and one extended behind on the Royal Opera House stage. The two red curtains are partially drawn on either side of her, exposing the house behind her.

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With “Marianela: Timeless,” the Royal Ballet Star Says Thank You

Zoe G. Phillips

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