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Misty Copeland on Her New Book, “Black Ballerinas”

Lydia Murray

Elle Macy, wearing a dark leotard and pointe shoes, stands on her left foot on pointe on a darkened stage and kicks her right leg up behind her. She holds her right arm up high and her left arm out to the side.

The Latest

Roster Round-Up: Catch Up on Recent Dancer Promotions, Leadership Changes and More

Kyra Laubacher

Thomas Forster performs a Bournonville-style grand jeté onstage, looking out towards the audience with a smile. He wears a white shirt and tights with green, black and pink shapes on them and ballet slippers. Behind him a line of women in pink tutus kneel on their left knee with their right leg extended forward.

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Thomas Forster’s New Children’s Book “My Daddy Can Fly!” Celebrates Men in Ballet

April Deocariza

The Latest

Join Us for an Exclusive Conversation With San Francisco Ballet Principal Esteban Hernández on November 16!

Amy Brandt

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Besides Being Bendy, Hypermobile Dancers May Experience These Surprising Symptoms

The Encore Fund Scholarship Aims to Help Dancers Pay for Education

3 Ways Dancers Can Cultivate Their Inner Artist

Ask Amy: When Can I Start More Complex Pointework?

The Ballerina Baby Boom: Three Dancers on Being Pregnant During a Pandemic

Carlos Acosta stands behind Alessandra Ferri and holds her around the waist with his left hand and her right leg up in a parallel retiré position with his right while she cradles his head in her hands. They both wear dark dance clothing and are lit with foggy, orange lighting.

Onstage

What’s Happening Onstage, Online and in Cinemas This November

Kyra Laubacher and Amy Brandt

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Misty Copeland on Her New Book, “Black Ballerinas”

Lydia Murray

Four female dancers stand in a resting position facing the barre of a dance studio. The wall is a floor-to-ceiling mirror. They each wear different style leotards but all have matching white Romantic-length practice tutus.

Higher Ed

The Encore Fund Scholarship Aims to Help Dancers Pay for Education

Zoe Phillips

In a large dance studio, two young ballet students practice a pas de deux, with the girl on pointe in first arabesque and the boy standing behind her holding her waist. Joan Boada, wearing a black turtleneck, pants and tennis shoes and face mask, stands to the side and adjust the ballerina's lifted left foot. A group of ballet students stand to the right of them, watching.

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Joan Boada, Kirov Academy’s New Ballet Artistic Director, Shares How He Prepares Students for Professional Life

April Deocariza For Dance Teacher

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