Company Life

Four ballerinas in identical white tutus and feathered headpieces join hands and do a relevé passé with their right leg. They all look over their right shoulder and perform in front of a dark backdrop.

Company Life

On the Road: Inside San Francisco Ballet’s Tour to Madrid

Sasha De Sola and Julia Rowe

Eric Figueredo, dressed as Count Dracula in a long red velvet cape, gently clasps his hands in front as he leans back in an uncanny manner. His long hair is gray and stringy, and his complexion very pale.

Company Life

Embodying the Undead: Milwaukee Ballet’s Eric Figueredo on Becoming Dracula

Eric Figueredo As Told To Kyra Laubacher

Gen Horiuchi, wear dance practice clothes, talks to a ballerina during a rehearsal in a brightly lit dance studio.

Company Life

How Artistic Directors Program a Season

Sierra Hitchcock

A ballet dancer in a black camisole leotard and black trash bag pants sits on the floor and ties her pointe shoe ribbons in a dance studio.

Company Life

How to Thrive in a New Dance Environment

Jess Spinner

Chloe Misseldine and Michal Krčmář perform the Black Swan pas de deux onstage. Misseldine, wearing a black tutu with gold trim and a gold tiara, does a first arabesque penché on pointe with her right leg raised. Her partner, dressed in a black velvet tunic and white tights, stands behind her with his right leg in tendu side and holds her right hand.

Company Life

Chloe Misseldine Reflects on Guesting With State Ballet of Georgia

Caroline Tonks

Company Life

How Shoe Managers at Ballet Companies Keep Dancers on Their Feet

Sierra Hitchcock

Company Life

The Do’s and Don’ts of Performing Outdoors

Hannah Chang Foster

Ballerina Danielle Cesanek, wearing a pink leotard, does an arabesque on pointe, crossing her wrists in front of her chest and looking up towards the sky. She poses in the desert, with cacti and brush behind her.

Company Life

Margaret Mullin Seeks to Raise Ballet Tucson’s Profile With Fresh Repertoire

Emma Love Suddarth

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