Company Life

An old suitcase filled with vegetables like lettuce, tomatoes, carrots, and potatoes.

Company Life

Eating on Tour: How to Make Sure You’re Properly Nourished on the Road

Alexandra Martin

Wendy Whelan, wearing a coral colored V-neck and black pants, leans against a barre in a crowded dance studio and lifts her right arm as she leads a ballet class. Dancers in various dancewear are shown in the mirror, practicing balances and stretching.

Company Life

Women Leaders Offer Their Advice for Dancers Aspiring to Be Directors

Kirsten Evans

Terez Dean Orr and Brandon Alexander stand face to face onstage in front of a green backdrop during a performance. They look wistfully into each others eyes. Alexander wears a pink shirt and pants and holds a black umbrella, while Dean Orr wears a dark rain coat. A group of danders in blue and green costumes encircle them, lunging deeply and with their arms around each others waists.

Company Life

Smuin Contemporary Ballet Offers a Thriving Home for Creative, Collaborative Dancers

Claudia Bauer

Company Life

Making Space for Queer Stories on Ballet’s Main Stages

Ethan Gold

During a performance of The Nutcracker, Sage Feldges and aldrin Vendt perform together while three other female dancers watch behind them posed in b plus. Feldge, in a pink tutu with gold trim and pink tights, leans back into the crook of Vendt's left arm as he lunges to his left. Her legs are in a sus-sous position on pointe and her arms are out to the side, her right arm raised slightly higher to the left of Vendt's face. Vendt wears a white tunic and white tights and slippers.

Company Life

With Steady Growth, Ballet Arkansas Is Making Its Presence Known in Little Rock and Beyond

Steve Sucato

A ballerina in a red knee-length, Spanish style tutu, pink tights and pointe shoes does a saut de chat with her arms in high fifth. She holds a black fan in her right hand and looks up triumphantly as she jumps. Behind her onstage, six dancers wearing peasant costumes clap their hands up hig as they watch her.

Company Life

Carlos Acosta’s Vision for Birmingham Royal Ballet Is Big and Bold

Christie Seaver

Xuan Cheng and Bria Simcoe rehearse a scene from the ballet La Sylphide in a large dance studio with large windows. Cheng, in a long white tutu, lunges in front of Simcoe with her right foot in tendu derriere and wraps a plaid tartan shawl around her shoulders. She looks over her right shoulder and up at Simcoe coyly as he stands behind her. He wears a white T-shirt, gray sweatpants and black socks and ballet slippers, and looks at Cheng intently. Towards the back of the studio, a large group of dancers in practice clothes stand and watch them rehearse.

Company Life

Video: Staging Bournonville’s La Sylphide at Oregon Ballet Theatre

Amy Brandt

During a performances of The Nutcracker, a lead ballerina stands in B plus encircled by a corps de ballet of dancers in long, orange and pink tutus. Four of the dancers kneel on the ground, while the others stand in tendu devant croisé. All hold their arms in high fifth and lean their upper bodies out away from the circle. The soloist wears a short green dance dress and crown and crosses her arms in front of her with her palms up.

Company Life

Why Some Companies Are Rethinking Pink Tights and Shoes for the Corps de Ballet

Monica Stephenson