by Katie Slattery | Dec 1, 2021 | Technique
As a dancer, former Orlando Ballet principal Katia Garza was a remarkable talent when it came to turning and jumping in a manège. She could make the Sugarplum Fairy’s piqué turns look effortless, and she was equally impressive when performing a circle of double sauts...
by Lisa Traiger | Jul 29, 2010 | Company Life
Whenever San Francisco Ballet soloist Elana Altman sees her name on the cast list for Giselle’s Myrta, she knows it’s time to start preparing for the role’s high-flying grand allégro and stamina-testing jeté sequence. Does that mean she does extra petit allégro in...