Barbara Karinska’s “Emeralds” costume for New York City Ballet, 1967. Lent by New York City Ballet, Courtesy The Museum at FIT.

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Pointe Magazine

February 5, 2020

Win a Copy of the Photo Book “Ballerina: Fashion’s Modern Muse”

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What's New

Jeon Minchul flies at the top of a tour jeté, legs split with arms in an extended high third. He wears white tights and a white flowy tunic with a white, black, and gold striped vest, with a dark gold sash around his waist.

News

Congratulations to the 2025 YAGP Winners!

Amy Brandt

In a large dance studio, two dancers rehearse. One dancer leans back, arms propping up his upper body, with one leg extended front and the other tucked under. The other dancer does a deep lunge with one leg in front as he reaches forward with one arm, hand splayed right in front of his partner's chest. They look into each other's eyes intensely. In the background, a group of dancers crouch with their hands on the ground and watch the duo.

News

Jennifer Archibald’s Maslow’s Peak, for BalletX, Considers Civilization and Savagery

Courtney Escoyne

A young woman wearing a white doctor's coat and a stethoscope around her neck poses for a photo at the bottom of an outdoor staircase.

Career

How Ballet Helped Me Discover My Future in Medicine

Camila Vicioso

A female dancer in class performing an attitude derriere en pointe.

News

Inside “Étoile,” Amy Sherman-Palladino and Daniel Palladino’s New Ballet TV Series

Chava Lansky For Dance Magazine