Avichai Scher

Onstage against a black and dark blue backdrop, with deep blue lighting, a corps de ballet of willis and their leader, Myrtha, pose in an arabesque fondu with arms extended in allongé. They wear long, wispy Romantic tutus and flower crown headpieces.

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A Giselle Like No Other: The United Ukrainian Ballet Makes Its U.S. Debut at the Kennedy Center

Avichai Scher

Joe Powell Main sits in a purple wheelchair and performs a cambré side to the right, with his left arm over his head. He wears a blue T-shirt and black sweatpants. Kristen McNally, in gray, loose-fitting dance clothing and dark socks, holds his forearm with both hands and bends her upper body forward as she takes a step toward Powell-Main. They dance onstage in front of a black backdrop.

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In “Sleepwalker,” A New Producer Brings A Dancer Using a Wheelchair to The Royal Ballet

Avichai Scher

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How Early Stardom in a Boy Band Led César Abreu to a Career in Ballet and Beyond

Avichai Scher

Lillian DiPiazza poses with two other dancers; they all lift their arms and hold hands, wearing calf-length pink dresses. The women wear their hair half up, half down and have a wreath of pink flowers in their hair.

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From Philadelphia to the Paris Opéra Ballet: Lillian DiPiazza’s Surprising Second Act

Avichai Scher

Dressed in jeans, a black shirt and pink puffy jacket and white sneakers, Polina Chepyk poses outside in a tendu derriere in front of the Dutch National Ballet Academy.

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YAGP Helps to Find New Dance Homes for Ukrainian Ballet Students

Avichai Scher

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For Older Dancers First Hitting the Job Market, Age Can Feel Like a Stigma

Avichai Scher

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An Infectious-Disease Physician on What Vaccines Mean for Ballet

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Audition Advice

How Is the Pandemic Affecting Ballet’s Job Market This Year?

Avichai Scher