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What to Watch: Nashville Ballet’s “Black Lucy and The Bard” on PBS

by Kyra Laubacher | Sep 7, 2022

Claudia Monja, wearing a red silk dress and flesh-colored pointe shoes, and with her black hair in a French twist, stands with strength in a spotlight onstage. Her body is turned toward the left, but she turns her torso slightly as she looks straight at the audience with an intense but pensive expression, her energized arms resting at her sides. Her left leg bevels on pointe turned in. The ensemble behind her, dressed in modernized and minimalist Shakespearean garb, stands watching her in dark blue lighting.
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