Achieve a Stronger Arabesque with These 5 Conditioning Exercises

September 3, 2020

Are you looking to gain flexibility and strength in your arabesque? Many dancers are unsatisfied with the height of their back leg, and believe intense stretching is the best way to increase extension in the arabesque position. “However,” says American Ballet Theatre physical therapist Julie Daugherty, “dancers are often surprised how much their arabesque can be improved by spending time doing strengthening exercises to control the motion, rather than spending a lot of time just stretching into the position.”

Daugherty recommends adding the following regimen for improving your arabesque. “These are not complicated exercises, but they must be done with focus,” she says. “The most important thing to recognize is that there is no one exercise that will give you a great arabesque—you must build on a solid foundation of core, pelvic and hip control, and strength.”

You’ll need:

    • -a physiotherapy ball
    • -a yoga mat (or soft flooring)

    1. Planks

    Planks are excellent for building core and pelvic control.

    A female teenage ballet student in a pink leotard pushes up on her hands in a plan pose, her legs straight out behind her and weight on her flexed toes.
    Israel Zavaleta Escobedo, Courtesy Orlando Ballet

    Front Plank

    • Lie on your stomach with two straight legs and your toes curled underneath you. Engage your abdominal muscles before you begin—imagine scooping and lifting your stomach off the mat.
    • Rise into a plank, either in a full push-up position or on the elbows. Pay special attention to the line of your body so that the back doesn’t sway or tilt. Hold for 30 seconds, then maintain a flat back as you lower to the ground. Repeat 3 times.
    A female teenage ballet student in a pink leotard lies on her side and props herself up on her right arm, with her left hand on her hip.
    Israel Zavaleta Escobedo, Courtesy Orlando Ballet

    Side Plank

    • Begin on your right side with the right elbow in line with your shoulder. Imagine a wall directly in front and back of you in order to maintain the straight line of your body.
    • Push up so your entire body is off the mat and hold the pose for 15–30 seconds. Imagine pushing your bottom leg into the ground and hold the position to activate your hip stabilizers. Side planks can be done with the hand or elbow on the mat. Repeat 3 times before switching to the left side.

    2. Basic Bridge

    A teenage ballet student in a pink leotard and tights demonstrates a bridge pose on a yoga mat.
    Israel Zavaleta Escobedo, Courtesy Orlando Ballet

    Bridges are important for hip strength and pelvic control.

    • Lying on your back with your knees bent and feet hip-width apart on the floor, raise your hips to the ceiling and allow the lower back to lift off the mat. “Make sure you are using your glute muscles, not just your hamstrings, and make sure you can do a bridge in a neutral spine, not just a tucked position,” says Daugherty.
    • Hold the bridge for 5–10 seconds, then gently lower your body to the mat in one piece. Repeat 10 times. If your hamstrings begin to cramp, you may not be activating your glute muscles sufficiently.

    4. Airplane

    A female ballet student in a pink leotard lies with her stomach on the floor and lifts her upper body and legs off the floor, creating an arc with her body.
    Israel Zavaleta Escobedo, Courtesy Orlando Ballet

    This is good for stability and trunk control.

    • Begin on your stomach with your legs long and arms out straight in front of you. Lift the arms and legs simultaneously so that your body arcs and the weight is supported by your stomach and hips. Think of a long smooth curve with no crunching into the low back as you lengthen the spine.
    • Hold for 5 seconds, then lower arms and legs back to the floor. Repeat 10 times.

    5. Supported Arabesque With Back Leg Turned Out on a Physio Ball

    This exercise engages your back and gluteal muscles. “You should be creating one long curve from the top of your head to the tip of your toe reaching out in both directions,” says Daugherty.

    All exercises modeled by Orlando Ballet trainee Eva DeLoof, courtesy Orlando Ballet